Angel-A

• From the director of The Professional and The Fifth Element comes a stunning, sexy tribute to the healing power of love. When Andr , a down-on-his-luck gambler, dives into the icy Seine to end it all, he winds up instead rescuing Angela, a gorgeous, mysterious blonde. Filled with renewed passion for life, they set out to settle Andr 's scores as they wander the City of Lights. Along the way, A

From the director of The Professional and The Fifth Element comes a stunning, sexy tribute to the healing power of love. When André, a down-on-his-luck gambler, dives into the icy Seine to end it all, he winds up instead rescuing Angela, a gorgeous, mysterious blonde. Filled with renewed passion for life, they set out to settle André's scores as they wander the City of Lights. Along the way, André finds himself, but he still has some questions about his leggy, lovely companion -can sh! e really be as heavenly as she seems? Filled with wit, warmth and eye-popping visuals, Angel-A shows just how high you can soar when passion takes flight.It's a Wonderful Life meets Wings of Desire in French director Luc Besson's Angel-A, a surprisingly charming fable of low-life redemption. The low-life in question is André (Jamel Debbouze, from Amelie), a mousy, disheveled Parisian scam artist who's deeply in debt to various underworld thugs. Suicide seems like the best available option, but just as he's about to leap into the Seine, he encounters Angela (Danish model/actress/filmmaker Rie Rasmussen), a leggy blonde beauty who's going to change André's life in ways he never expected. Filmed in gorgeous black and white in a shimmering Paris that seems almost completely depopulated (most of the filming took place in early-morning sunlight), Angel-A is a rough-edged yet ultimately sweet-natured tale of two chatty characters who find new h! ope through mutual devotion, and that's likely to disappoint a! ny Besso n fans who are expecting another high-octane crime thriller like Leon--The Professional. And yet, Besson's tenth film has a light, feathery quality that works in its favor, even when the characters lack interest and their scenes together grow slightly redundant. Debbouze is perfectly cast as a likable loser who deserves a break, and Rasmussen (who memorably appeared in Brian De Palma's Femme Fatale, wearing nothing but lavish diamonds and a killer smile) is, to say the least, angelically seductive. How well you respond to this romantic fantasy will depend on how attracted you are to these characters, but if you give Angel-A a chance, you might find it to be a worthy companion to Richard Linklater's Before Sunrise and Before Sunset, two other appealing films about love, set in, respectively, Vienna and Paris. --Jeff Shannon

Don't Move

• Timoteo's life takes a dramatic turn when he discovers that his fifteen year old daughter has been seriously injured in a motorcycle accident. As she undergoes emergency surgery, Timoteo casts his mind back to his illicit affair with the passionate Italia. Based on the novel by Margaret Mazzantini. Format: DVD MOVIE Genre: FOREIGN Rating: NR Age: 720917549125 UPC:&nb

Timoteo's life takes a dramatic turn when he discovers that his fifteen year old daughter has been seriously injured in a motorcycle accident. As she undergoes emergency surgery, Timoteo casts his mind back to his illicit affair with the passionate Italia... Based on the novel by Margaret Mazzantini.

Biography: Amelia Earhart - Queen of the Air

• She was an uncommon heroine, a legendary aviator, and the focus of one of the greatest mysteries of all time. A daredevil of unimaginable proportions, Amelia Earhart was destined to make her mark on history. Even as she was wowing the world by annihilating existing aviation records, her unconventional short hair, pants, and leather jacket had already made her an undisputed icon. Her mysterious dis

Two-time Academy Award® Winner Hilary Swank delivers an unforgettable performance as Amelia Earhart, the legendary American aviatrix who boldly flew into the annals of history. Richard Gere co-stars as her charismatic business partner and adoring husband George Putnam. Bound by ambition and love, their enduring marriage could not be broken by Amelia's determination to fly -- nor her passionate affair with Gene Vidal (Ewan McGregor). Equal parts gripping drama, stirring romance and epic adventure,! Amelia will take your breath away and send your spirit soaring!

• Audio: English: 5.1 Dolby Digital
• Language: Dubbed: English / Subtitled: English, French & Spanish
• Theatrical Aspect Ratio: Widescreen: 2.35:1

With her lanky Middle-America looks and her toothy grin, Hilary Swank is a natural fit for the adventurous figure of Amelia Earhart, the world's most famous aviatrix. Amelia ticks through the major achievements of Earhart's career: her 1928 flight across the Atlantic (as a passenger, not a pilot), which made her the first airborne woman to make the trip; more triumphantly, her 1932 solo transatlantic journey; her marriage to publisher George Putnam; and of course the mysterious 1937 around-the-world flight that ended in her vanishing, with engineer Fred Noonan, somewhere near Howland Island in the mid Pacific. With Swank in her pilot togs and director Mira Nair at the helm, the project would seem to have ! the ingredients for success, but the resulting film is a truly! dull, a lmost featureless affair. The big flights themselves have innate appeal, but otherwise the emphasis is on Amelia's love life, shared between Putnam (Richard Gere) and the dashing Gene Vidal (Ewan McGregor)--who, the film clumsily keeps reminding us, is the father of Gore Vidal, seen here as a precocious tyke. A smidgen of Amelia's proto-feminist attitude is included, including her intriguing take on her marriage agreement, but nothing actually cuts deep or generates interest. After a while Amelia becomes a series of events, told with less excitement than the average documentary on the same subject, albeit with prettier photography. --Robert HortonWhen Amelia's mom givs her a journal for her ninth birthday, Amelia has a place to share her truest feelings at last!Two-time Academy Award® Winner Hilary Swank delivers an unforgettable performance as Amelia Earhart, the legendary American aviatrix who boldly flew into the annals of history. Richard Gere co-stars! as her charismatic business partner and adoring husband George Putnam. Bound by ambition and love, their enduring marriage could not be broken by Amelia's determination to fly -- nor her passionate affair with Gene Vidal (Ewan McGregor). Equal parts gripping drama, stirring romance and epic adventure, Amelia will take your breath away and send your spirit soaring!

• Audio: English: 5.1 DTS HD Master Audio
• Language: Dubbed: English / Subtitled: English, French & Spanish
• Theatrical Aspect Ratio: Widescreen: 2.35:1

With her lanky Middle-America looks and her toothy grin, Hilary Swank is a natural fit for the adventurous figure of Amelia Earhart, the world's most famous aviatrix. Amelia ticks through the major achievements of Earhart's career: her 1928 flight across the Atlantic (as a passenger, not a pilot), which made her the first! airborne woman to make the trip; more triumphantly, her 1932 ! solo tra nsatlantic journey; her marriage to publisher George Putnam; and of course the mysterious 1937 around-the-world flight that ended in her vanishing, with engineer Fred Noonan, somewhere near Howland Island in the mid Pacific. With Swank in her pilot togs and director Mira Nair at the helm, the project would seem to have the ingredients for success, but the resulting film is a truly dull, almost featureless affair. The big flights themselves have innate appeal, but otherwise the emphasis is on Amelia's love life, shared between Putnam (Richard Gere) and the dashing Gene Vidal (Ewan McGregor)--who, the film clumsily keeps reminding us, is the father of Gore Vidal, seen here as a precocious tyke. A smidgen of Amelia's proto-feminist attitude is included, including her intriguing take on her marriage agreement, but nothing actually cuts deep or generates interest. After a while Amelia becomes a series of events, told with less excitement than the average documentary on t! he same subject, albeit with prettier photography. --Robert HortonThe book has no illustrations or index. Purchasers are entitled to a free trial membership in the General Books Club where they can select from more than a million books without charge. Subjects: Domestic fiction; Didactic fiction; England - Social life and customs - 18th century; Married women - England; Fiction / General; Fiction / Literary; Fiction / General; Fiction / Classics; Fiction / Sagas; Fiction / Literary; Fiction / MysteryShe was an uncommon heroine, a legendary aviator, and the focus of one of the greatest mysteries of all time. A daredevil of unimaginable proportions, Amelia Earhart was destined to make her mark on history. Even as she was wowing the world by annihilating existing aviation records, her unconventional short hair, pants, and leather jacket had already made her an undisputed icon. Her mysterious disappearance while attempting to fly around the world has long been at the! center of great debate. What really happened to one of the wo! rld s mo st promising aviators? Drawing on extensive archival footage, interviews, and newly discovered evidence, BIOTM examines Earhart s dramatic story, providing an unforgettable look at the life and legend of the courageous and groundbreaking aviator

Alien VS. Predator: Requiem NECA Action Figure Series 2 Predator Masked

• Alien VS. Predator: Requiem NECA Action Figure Series 2 Predator Masked

Disc 1: Widescreen Feature Rated and Unrated Versions ***Commentary by Directors Colin and Greg Strause and writer Shane Salerno **Commentary by Tom Woodruff and Alec Gillis Wayland Yutani Archives **D-Box **BD-Live Portal **Deleted Scene with Optional Director Commentary: 121-124 Extended Power Plant **Trailers: Jumper Blu-ray, Babylon AD Blu-ray, Hit Man Blu-ray **Fox on Blu-Ray: Alien Vs. Predator, Behind Enemy Lines, Planet of the Apes, Transporter

Disc 2: Digital CopyFor those who found 2004's Aliens vs. Predator too lightweight in the gore-and-guns department, Aliens vs. Predator: Requiem offers a marked improvement in both categories, as well as a respectable amount of rumbles between the title extraterrestrials. Set in the 21st century (which predates the story to all of the Alien featur! es), Requiem sends a crippled Predator ship crashing to Earth in a small Colorado town; unbeknownst to the locals, the craft is loaded with H.R. Giger's insectoid monsters, which make quick work of most of the population. As the human cast is slowly whittled to a few hardy (if unmemorable) souls, a Predator warrior also arrives to complicate matters and do battle with the Aliens, as well as a ferocious alien-Predator hybrid (dubbed a Predalien by the sci-fi and horror press). Visual-effects designers and music-video helmers The Strause Brothers (who make their feature directorial debut here) keep the action on frantic throughout, which is wise, since the dialogue and characters are threadbare at best; that should matter little to teenage male viewers, who are inarguably the film's key audience. Fans of the Alien franchise, however, may find the offhanded nod to the series' mythology given during the finale its sole saving grace. --Paul Gaita

Beyond Alien vs. Predator: Requi! em

More from the Alien Series

AVP Customer Community

More blu-ray sci-fi from Fox

Stills from Alien vs. Predator: Requiem

"It may be our planet, but it’s their war!" The deadliest creatures from the scariest sci-fi movies ever made face off for the first time on film. The incredible adventure begins when the discovery of an ancient pyramid buried in Antarctica sends a team of scientists and adventurers to the frozen continent. There, they make an even more terrifying discovery: two alien races engaged in the ultimate battle. Whoever wins...we lose.In delivering PG-13-rated excitement, Alien vs. Predator is an acceptably average science-fiction action thril! ler with some noteworthy highlights, even if it squanders its ! opportun ity to intelligently combine two popular and R-rated franchises. Rabid fans can justifiably ask "Is that all there is?" after a decade of development hell and eager anticipation, but we're compensated by reasonably logical connections to the Alien legacy and the still-kicking Predator franchise (which hinted at AVP rivalry at the end of Predator 2); some cleverly claustrophobic sets, tense atmosphere and impressive digital effects; and a climactic AVP smackdown that's not half bad. This disposable junk should've been better, but nobody who's seen Mortal Kombat or Resident Evil should be surprised by writer-director Paul W.S. Anderson's lack of imagination. As a brisk, 90-minute exercise in generic thrills, however, Anderson's work is occasionally impressive... right up to his shameless opening for yet another sequel. --Jeff ShannonThey live for the thrill of the hunt, and this winter they pursue the ultimate prey once a! gain in Aliens vs. Predator: Requiem. NECA is proud to present the best Predator action figure yet, armed to the hilt and featuring multiple points of articulation, includes a ball-jointed neck, ball-jointed shoulders, ball-jointed wrists, swivel biceps, swivel thighs, swivel ankles, bendable knees and retractable wrist blades. The masked predator includes an articulated shoulder cannon, large back-pack cleaner kit, spear, bandolier, and battery pack.

Disney Nature Earth

• An epicstory of adventure, starring some of the most magnificent andcourageous creatures alive, awaits you in EARTH. Disneynature bringsyou a remarkable story of three animal families on a journey across ourplanet -- polar bears, elephants and humpback whales. Filmed withspectacular clarity and beauty, EARTH is both majestic and intimate asit captures rare footage of nature's wildest and most elus

Where do we come from? Who created us? Why are we here? These questions have puzzled us since the dawn of time, but when it became apparent to Jon Stewart and the writers of The Daily Show that the world was about to end, they embarked on a massive mission to write a book that summed up the human race: What we looked like; what we accomplished; our achievements in society, government, religion, science and culture -- all in a tome of 238 pages with lots of color photos, graphs and charts. !

After two weeks of hard work, they had their book. EARTH (The Book) is the definitive guide to our species. With their trademark wit, irreverence, and intelligence, Stewart and his team posthumously answer all of life's most hard-hitting questions, completely unburdened by objectivity, journalistic integrity, or even accuracy.The long-awaited new novel by the award-winning, bestselling author of Startide Rising and The Uplift War--an epic novel set fifty years from tomorrow, a carefully-reasoned, scientifically faithful tale of the fate of our world. "One hell of a novel . . . has what sci-fi readers want these days; intelligence, action, and an epic scale".--Isaac Asimov's Science Fiction Magazine. Line drawings.A visual odyssey that will change the way we see our planet, this remarkable book, companion to the acclaimed Discovery Channel/ BBC series, is an enduring and awe-inspiring record of one of the most ambitious natural history projects ever undertaken. Usi! ng the latest aerial surveillance, state-of-the-art cameras, a! nd high definition technology, the creators of Planet Earth have assembled more than 400 stunning photographs of wondrous natural landscapes from around the globe, including incredible footage of the rarely spotted, almost mythical creatures that live in these habitats. Many of the images reveal inaccessible places that few have seen and record animal behavior that has never been filmed or photographed before. With the help of this highly advanced technology and the world's premier wildlife photographers, the book takes us on a spectacular journey from the world's greatest rivers and impressive gorges, to its mightiest mountains, hidden caves and caverns, and vast deserts. Planet Earth captures breathtaking sequences of predators and their prey, lush vistas of forests viewed from the tops of towering trees, the oceans and their mysterious creatures viewed from beneath the surface, and much more--in a magnificent adventure that brings unknown wonders of the natural worl! d into our living rooms.
Copub: BBC Worldwide Americas In the best-selling tradition of Smithsonian Animal, this extraordinary survey of our planet provides unrivaled insight into the forces and processes that formed our environment and which continue to influence its evolution. With thousands of breathtaking photographs and unique visual catalogues of the features and phenomena that take place on Earth -- such as rocks, minerals, and mountains to tropical rain forests and the different types of clouds -- Earth contains the most up-to-date ideas on how our world works, a compelling review on the health of the planet, and unbelievable images of the world's most stunning features.

With its strong focus on readability and illustrations, this trusted best seller makes an often-complex subject more accessible for readers like you. It offers a meaningful, non-technical survey that is informative and up-to-date for learning basic principles and conce! pts. For the Tenth Edition, the text’s design and figures ha! ve been updated, and the chapter on climate change has been revised significantly.

Embraced worldwide as key spiritual teachers of our times, the Pleiadians are back, with another bold and controversial look at our highest purpose on Earth. Earth: Pleiadian Keys to the Living Library is their handbook to inspired living, calling on us to restore and return value to the human being, and to recognize the Goddess energies and the power of blood as connections to our DNA and our heritage.

Using wit, wisdom, and deep compassion, they entice us to explore the corridors of time through the concept of the Game Masters; to awaken the crucial codes for multidimensional perspective; and to redream the Living Library of Earth. Their teachings are significantly arranged in twelve chapters to trigger a deeper understanding of our ancestral lineage. Earth probes the memories hidden deep within us to reveal our crucial roles in the transformational process u! nfolding in our times.An epic story of adventure, starring some of the most magnificent and courageous creatures alive, awaits you in EARTH. Disneynature brings you a remarkable story of three animal families on a journey across our planet -- polar bears, elephants and humpback whales. Filmed with spectacular clarity and beauty, EARTH is both majestic and intimate as it captures rare footage of nature's wildest and most elusive animals. From the landmark Disneynature collection, EARTH is an astonishing and heartwarming film filled with adventure, suspense and humor that will take your breath away.

A nature documentary compiled from the vast footage of the BBC's and The Discovery Channel's Planet Earth series and produced by award-winning British producer and director Alastair Fothergill and Mark Linfield, Earth is the first nature film from the newly formed Disneynature--a Disney independent film label dedicated to bringing high impact wildlife an! d environmental films to theaters. James Earl Jones narrates t! his US v ersion of the 96-minute documentary film (the English and German version are narrated by Patrick Stewart and Ulrich Tukur, respectively) which follows families of arctic polar bears, African elephants, and humpback whales for an entire year. The film tracks the animals' migrations across the globe and through some of the harshest terrains and climates on earth, pointing out in a factual and remarkably non-political way the negative effects of global warming and habitat destruction on these animals and the planet as a whole. Selected from the over 4,000 days of cinematography that went into the making of Planet Earth, every image is breathtakingly spectacular (especially the first-ever aerial footage of Mount Everest) and Jones' concise narration is engaging and packed with information. What makes this film different from Planet Earth, besides the obvious shorter run-time, is the sense of story that permeates this film. While children and others disinclined towa! rd factual documentaries or nature films might find Planet Earth overly long and somewhat dry, Earth views more like an entertainingly touching story about several animal families. The first story begins with an adorable look at two 2-month-old polar bears and their first encounter with the snow and ice outside their den. Viewers of all ages will raptly follow their long trek with their mother across the ice to the water's edge to find food. Danger looms in many places and the polar bears' father's desperate attempts to find food on the ice turn perilous when he ends up stranded in the icy water and is forced to swim to shore where he's outnumbered by fiercely protective walruses. Footage of over 42 kinds of strange and beautiful New Guinea birds of paradise is rich with their breathtaking sounds and colors as well as the trees, fungi, flowers, and plants of tropical rainforest they inhabit. In stark contrast to the moisture-rich tropical rainforests that cove! r a mere 3% of the earth's surface, but support about 50% of t! he plane t's animals and plants, are the dry lands of the Kalahari desert of South Africa where we meet the African elephants. The elephants' epic quest for food and water leads a mother elephant and her baby across vast prairies, savannahs, grasslands, and barren desert to inland deltas and water holes where they are forced into a tense and fragile alliance with a variety of other animals including their natural predators. Frighteningly real (though not gory) footage of lions attacking the elephants may well scare or disturb young children and the faint of heart, but it serves as a poignant reminder of the natural circle of life. The humpback whales' long migration across half the globe is similarly fraught with danger, yet full of underwater beauty, just as the Adélie penguins' life in one of the earths' most inhospitable lands also features the unexpected beauty of the striking Aurora Australis lightshow. What tracking a year in the life of all these amazing animals demonstrates ! is not only the exceptional beauty and strikingly harsh realities of life in the wild, but also the resilience of earth's creatures. (Ages 5 and older) --Tami Horiuchi

Drive Me Crazy (Simon Romantic Comedies)

• ISBN13: 9781416974840
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Opposites attract with irresistible force in this fresh, funny, feel-good comedy about two mismatched teens who scheme to make their ex's jealous. Melissa Joan Hart (TV's "Sabrina the Teenage Witch") is "picture perfect" (CBS-TV, Fort Worth) as a peppy preppy who performs the ultimate makeover on her scruffy next-door neighbor (Adrian Grenier) - and discovers this former "frog" was a prince all along! With a screenplay by Rob Thomas (Dawson's Creek), a cast featuring today's hottest young stars, plus the smash hit songs "Crazy" (Britney Spears), and "I Want It That Way" (Backstreet Boys), "Drive Me Crazy" is "worth celebrating!" (Detroit Free Press)This conflicted teen comedy can't decide what it wants! to be. Is Drive Me Crazy a mainstream piffle about a popular girl who turns her grungy next-door neighbor into a dream date? Or is it a sneaky critique of high school conformity? Melissa Joan Hart (TV's Sabrina, the Teenage Witch) is angling to get asked to an upcoming dance by a basketball star, but when her plans go awry, she turns to a childhood friend (Adrian Grenier from The Adventures of Sebastian Cole) in the hopes of avoiding total humiliation. Grenier wants to win back his recently lost girlfriend, so he agrees to Hart's total makeover plan to induce jealousy. Naturally, the scam turns into something sparky. Teen flicks always make things too glossy and upscale, but Drive Me Crazy somehow fumbles its design and ends up looking false and square. The movie initially presents Grenier's transformation as unqualified good, with no sense that anything he was doing before--political protests, alternative music, rebellious pranks--had any valu! e. But as the plot unfolds, a few barbed twists undercut the g! ood chee r, sneakily commenting on school spirit and popularity. These themes wrestle uncomfortably with the movie's production values, resulting in a curiously provocative jumble. This confusion is probably why the movie was only a modest success in theaters, but it's actually what makes Drive Me Crazy worth looking at now. --Bret FetzerDisc 1: BUFFY THE VAMPIRE SLAYER (MOVIE) Disc 2: DRIVE ME CRAZYThis conflicted teen comedy can't decide what it wants to be. Is Drive Me Crazy a mainstream piffle about a popular girl who turns her grungy next-door neighbor into a dream date? Or is it a sneaky critique of high school conformity? Melissa Joan Hart (TV's Sabrina, the Teenage Witch) is angling to get asked to an upcoming dance by a basketball star, but when her plans go awry, she turns to a childhood friend (Adrian Grenier from The Adventures of Sebastian Cole) in the hopes of avoiding total humiliation. Grenier wants to win back his recently lost gir! lfriend, so he agrees to Hart's total makeover plan to induce jealousy. Naturally, the scam turns into something sparky. Teen flicks always make things too glossy and upscale, but Drive Me Crazy somehow fumbles its design and ends up looking false and square. The movie initially presents Grenier's transformation as unqualified good, with no sense that anything he was doing before--political protests, alternative music, rebellious pranks--had any value. But as the plot unfolds, a few barbed twists undercut the good cheer, sneakily commenting on school spirit and popularity. These themes wrestle uncomfortably with the movie's production values, resulting in a curiously provocative jumble. This confusion is probably why the movie was only a modest success in theaters, but it's actually what makes Drive Me Crazy worth looking at now. --Bret FetzerThis conflicted teen comedy can't decide what it wants to be. Is Drive Me Crazy a mainstream piffle about! a popular girl who turns her grungy next-door neighbor into a! dream d ate? Or is it a sneaky critique of high school conformity? Melissa Joan Hart (TV's Sabrina, the Teenage Witch) is angling to get asked to an upcoming dance by a basketball star, but when her plans go awry, she turns to a childhood friend (Adrian Grenier from The Adventures of Sebastian Cole) in the hopes of avoiding total humiliation. Grenier wants to win back his recently lost girlfriend, so he agrees to Hart's total makeover plan to induce jealousy. Naturally, the scam turns into something sparky. Teen flicks always make things too glossy and upscale, but Drive Me Crazy somehow fumbles its design and ends up looking false and square. The movie initially presents Grenier's transformation as unqualified good, with no sense that anything he was doing before--political protests, alternative music, rebellious pranks--had any value. But as the plot unfolds, a few barbed twists undercut the good cheer, sneakily commenting on school spirit and popularity. The! se themes wrestle uncomfortably with the movie's production values, resulting in a curiously provocative jumble. This confusion is probably why the movie was only a modest success in theaters, but it's actually what makes Drive Me Crazy worth looking at now. --Bret FetzerThis conflicted teen comedy can't decide what it wants to be. Is Drive Me Crazy a mainstream piffle about a popular girl who turns her grungy next-door neighbor into a dream date? Or is it a sneaky critique of high school conformity? Melissa Joan Hart (TV's Sabrina, the Teenage Witch) is angling to get asked to an upcoming dance by a basketball star, but when her plans go awry, she turns to a childhood friend (Adrian Grenier from The Adventures of Sebastian Cole) in the hopes of avoiding total humiliation. Grenier wants to win back his recently lost girlfriend, so he agrees to Hart's total makeover plan to induce jealousy. Naturally, the scam turns into something sparky. ! Teen flicks always make things too glossy and upscale, but ! Drive Me Crazy somehow fumbles its design and ends up looking false and square. The movie initially presents Grenier's transformation as unqualified good, with no sense that anything he was doing before--political protests, alternative music, rebellious pranks--had any value. But as the plot unfolds, a few barbed twists undercut the good cheer, sneakily commenting on school spirit and popularity. These themes wrestle uncomfortably with the movie's production values, resulting in a curiously provocative jumble. This confusion is probably why the movie was only a modest success in theaters, but it's actually what makes Drive Me Crazy worth looking at now. --Bret FetzerAn irresistible cast of Hollywood's young faces star in this fun, sexy comedy hit about the power of attraction and the pressures of popularity! Stung when his bombshell girlfriend abruptly dumps him for a TV celebrity, big man on campus Zack Siler (Freddie Prinze Jr., SCOOBY-DOO, BOYS AND GIRLS, DOWN T! O YOU) wagers with a classmate he can quickly turn any girl -- even the school's biggest geek, Laney Boggs (Rachel Leigh Cook, TEXAS RANGERS, JOSIE AND THE PUSSYCATS) -- into the prom queen! He wasn't, however, betting on falling in love! After an amazing makeover, Laney is transformed from nobody to knockout ... but when she learns of Zack's deception, it could ruin any chance he had with his newfound dream girl! With a hip, modern soundtrack and a hilarious story that audiences loved, this great comedy is all that ... and more!This charming update of Pygmalion (by way of the John Hughes oeuvre, most notably Pretty in Pink) rode the crest of the late-'90s wave of immensely popular teen films (Varsity Blues, etc.), thanks primarily to the immense charisma of its two leads, Freddie Prinze Jr. and Rachael Leigh Cook. When school star Zach (Prinze)--who's a jock, smart, and popular--gets dumped by vacuous Taylor (Jodi Lyn O'Keefe) after spring brea! k, he's left dateless for the all-important prom. With a littl! e goadin g from his less-than-sensitive best friend (hunky Paul Walker), he bets that he can make any girl into prom queen a mere eight weeks before the dance. The object of their wager: misfit Laney (Cook), a gawky art student too busy with her paintings and taking care of her brother and dad to worry about school politics. However, after a couple looks from Zach, and a few dates that reveal him to be a hunk of substance, Laney's armor begins to melt--and her stock at school soars. Soon enough, she's the lone candidate for prom queen against the bitchy and relentless Taylor.

What elevates She's All That above the realm of standard teen fare is its mixture of good-natured fairy-tale romance and surprisingly clear-eyed view of high school social strata. The lines of class are demarcated as clearly as if in a Jane Austen novel, but the satire is equally deflating and affectionate. Sure, high school could be bad sometimes, but it was lots of fun too; this is a movie good-nat! ured enough to take time out for an extended hip-hop dance number at the prom. Director Robert Iscove (who also helmed the Brandy-starring TV adaptation of Cinderella) has also assembled a great young cast, including a scene-stealing Anna Paquin as Zach's no-nonsense sister, Kieran Culkin as Laney's geeky brother, and a stupidly goofy Matthew Lillard as a Real World cast member whose arrival shakes things up a little too much. And amidst all the comedy and prom drama, you'd be hard-pressed to find two teen stars as talented, attractive, and appealing as Prinze and Cook. Prinze is an approachable and sensitive jock, though it's Cook who's the true star, investing Laney with confidence, humor, and heart. Like Zach, you'll be hard-pressed not to fall in love with her. By the story's end, both Cook and the film will have charmed the socks off of you. --Mark EnglehartThis conflicted teen comedy can't decide what it wants to be. Is Drive Me Crazy a mainstream piffle about a popular girl who turns her grun! gy next- door neighbor into a dream date? Or is it a sneaky critique of high school conformity? Melissa Joan Hart (TV's Sabrina, the Teenage Witch) is angling to get asked to an upcoming dance by a basketball star, but when her plans go awry, she turns to a childhood friend (Adrian Grenier from The Adventures of Sebastian Cole) in the hopes of avoiding total humiliation. Grenier wants to win back his recently lost girlfriend, so he agrees to Hart's total makeover plan to induce jealousy. Naturally, the scam turns into something sparky. Teen flicks always make things too glossy and upscale, but Drive Me Crazy somehow fumbles its design and ends up looking false and square. The movie initially presents Grenier's transformation as unqualified good, with no sense that anything he was doing before--political protests, alternative music, rebellious pranks--had any value. But as the plot unfolds, a few barbed twists undercut the good cheer, sneakily commenting on schoo! l spirit and popularity. These themes wrestle uncomfortably with the movie's production values, resulting in a curiously provocative jumble. This confusion is probably why the movie was only a modest success in theaters, but it's actually what makes Drive Me Crazy worth looking at now. --Bret FetzerThis conflicted teen comedy can't decide what it wants to be. Is Drive Me Crazy a mainstream piffle about a popular girl who turns her grungy next-door neighbor into a dream date? Or is it a sneaky critique of high school conformity? Melissa Joan Hart (TV's Sabrina, the Teenage Witch) is angling to get asked to an upcoming dance by a basketball star, but when her plans go awry, she turns to a childhood friend (Adrian Grenier from The Adventures of Sebastian Cole) in the hopes of avoiding total humiliation. Grenier wants to win back his recently lost girlfriend, so he agrees to Hart's total makeover plan to induce jealousy. Naturally, the scam t! urns into something sparky. Teen flicks always make things too! glossy and upscale, but Drive Me Crazy somehow fumbles its design and ends up looking false and square. The movie initially presents Grenier's transformation as unqualified good, with no sense that anything he was doing before--political protests, alternative music, rebellious pranks--had any value. But as the plot unfolds, a few barbed twists undercut the good cheer, sneakily commenting on school spirit and popularity. These themes wrestle uncomfortably with the movie's production values, resulting in a curiously provocative jumble. This confusion is probably why the movie was only a modest success in theaters, but it's actually what makes Drive Me Crazy worth looking at now. --Bret FetzerIn Drive Me Crazy, Kate, Sierra, and Alexis kick off the summer with an unforgettable road trip. But when Adam, Alexis’s cousin, happens to tag along, it could mean jeopardy for the all-girls trip. Adam turns out okay, and Kate even takes a liking to him. So w! hat does this mean for Lucas, the boy Kate was driving out to see? In Love Off-Limits, Natalie has the perfect boyfriend, or so everyone thinks. But Natalie knows she wants more. When she discovers that more equals Matt, her boyfriend’s best friend, Natalie finds herself in quite the dilemma.

City of Men

• As Seen on the SUNDANCE CHANNEL From the team behind the Academy Award®-nominated feature CITY OF GOD, including directors Fernando Meirelles (THE CONSTANT GARDNER) and K tia Lund comes the hit Brazilian television series CITY OF MEN, a comedy/drama about two teenage boys growing up in a dangerous Rio de Janeiro slum starring Darlan Cunha and Douglas Silva, featured in the motion picture tha

As Seen on the SUNDANCE CHANNEL

From the team behind the Academy Award®-nominated feature CITY OF GOD, including directors Fernando Meirelles (THE CONSTANT GARDNER) and Kátia Lund comes the hit Brazilian television series CITY OF MEN, a comedy/drama about two teenage boys growing up in a dangerous Rio de Janeiro slum starring Darlan Cunha and Douglas Silva, featured in the motion picture that inspired this series.

The CITY is a shantytown located in one of the many mountains of Rio de Jan! eiro. The MEN are two 13-year-old kids, Laranjinha and Acerola. This series brilliantly mixes humor and reality to explore life in the "favelas" and in particular the indomitable spirit of two best friends growing up in one of most volatile communities in the world.Brazilian TV series City of Men is a dazzling, propulsive, and fiery exploration of life in a chaotic Rio de Janeiro slum, seen through the eyes of Acerola (Douglas Silva) and Laranjinha (Darlan Cunha). These two boys prove to be amazingly charming tour guides to a world by turns terrifying and exhilarating. Using the jam-packed storytelling that made the movie City of God such a revelation, the first episode alone is a marvel, merging the history of Napoleon with a cutting analysis of drug lords and class structure in the poverty-ridden neighborhood. The other three episodes of the first series carry on this riveting approach, mingling social observation with rich, compelling characters. From the s! econd series on, the show becomes less overtly political and m! ore abou t Acerola and Laranjinha's passage from youth to adulthood (embracing, with humor and pathos, the adolescent boys' obsession with sex)--though every episode has some sly or startling observation about race, wealth, and gender. Each series is filmed a year after the previous one, so the boys literally grow before our eyes; it's impossible to watch and not feel deeply involved as Acerola woos a girl named Cristiane and ends up a way-too-young father, or as an innocent prank escalates into a life-and-death struggle. Some episodes teeter on the brink of silliness--one of the last ones has the boys engaging in absurd cross-dressing--but the briskness of the writing and the charisma of Silva and Cunha carry the show through. Add to this the dynamic musical score of Brazilian pop and samba, and you have essential viewing. World music has already found popularity in the U.S.; welcome to a masterpiece of world television. --Bret Fetzer