Friday, November 25, 2011

Dragon Hunters

  • DRAGON HUNTERS - DVD (DVD MOVIE)
When a forgotten enemy returns, the fate of the world lies with a spirited princess and an unlikely hero. Take an exciting journey to a spectacular realm of magic, fantasy, romance, and adventure.


**Special Features:
*Audio Commentary from the Directors
*Behind the Scenes
*Sounds of Delgo
*Meet the Characters
*Animated Short: Chroma Chamelon
*6 Deleted ScenesDelgo is a computer-animated film that is at once fantasy, action, and drama, with an added dose of comedy. The most amazing thing about the film, besides the fact that it was 10 years in the making, is its rich graphic rendering of a world that's unlike any other. The backgrounds have an almost painted quality and the contrast of the stark, resource depleted planet of the Nohrins and the natural, dreamlike world of Jhamora is striking thanks to intense! color saturation and an impressive level of visual detail. Despite its uniqueness, Jhamora is plagued by an all-too-common conflict rooted in the cultural and moral differences of its two peoples. This epic story follows two young teenagers, Nohrin Princess Kyla (Jennifer Love Hewitt) and Lockni Jhamora native Delgo (Freddie Prinze Jr.), who share a common dream of cultural acceptance and cooperation as they fall into friendship and then love. Exiled Nohrin Sedessa (Anne Bancroft), who was banished from Jhamora for killing King Zahn's (Louis Gossett Jr.) wife (Princess Kyla's mother), and General Raius (Malcolm McDowell) kidnap Princess Kyla--an event which leads to Delgo and his bumbling friend Filo (Chris Kattan) being imprisoned for the crime and incites war between the two peoples. Can peace possibly return to Jhamora without the total extermination of either the Nohrin or the Lockni people? Battlefield action on the ground and in the sky is intense and omnipresent thr! oughout the film and the story is interesting, if not original! , but th e animation is at times rather choppy and almost video-game-like and somehow the film just isn't all that engaging. Bonus features include commentary with co-writer and producer Marc Adler, co-director and co-writer Jason Maurer, and animation and visual effects supervisor Warren Grubb; a behind the scenes look at how the voice talent shaped the film's characters, a featurette detailing the composer's and sound designer's thoughts about the sounds of Delgo; meet the characters and creatures functions, and six deleted scenes. (Ages 10 and older) --Tami Horiuchi

Stills from Delgo (Click for larger image)




 

DELGO - Blu-Ray MovieDelgo is a computer-animated film that is at once fantasy, action, and drama, with an added dose of comedy. The most amazing thing about the film, besides the fact that it was 10 years in the making, is its rich graphic rendering of a world that's unlike any other. The backgrounds have an almost painted quality and the contrast of the stark, resource depleted planet of the Nohrins and the natural, dreamlike world of Jhamora is striking thanks to intense color saturation and an impressive level of visual detail. Despite its uniqueness,! Jhamora is plagued by an all-too-common conflict rooted in th! e cultur al and moral differences of its two peoples. This epic story follows two young teenagers, Nohrin Princess Kyla (Jennifer Love Hewitt) and Lockni Jhamora native Delgo (Freddie Prinze Jr.), who share a common dream of cultural acceptance and cooperation as they fall into friendship and then love. Exiled Nohrin Sedessa (Anne Bancroft), who was banished from Jhamora for killing King Zahn's (Louis Gossett Jr.) wife (Princess Kyla's mother), and General Raius (Malcolm McDowell) kidnap Princess Kyla--an event which leads to Delgo and his bumbling friend Filo (Chris Kattan) being imprisoned for the crime and incites war between the two peoples. Can peace possibly return to Jhamora without the total extermination of either the Nohrin or the Lockni people? Battlefield action on the ground and in the sky is intense and omnipresent throughout the film and the story is interesting, if not original, but the animation is at times rather choppy and almost video-game-like and somehow the fil! m just isn't all that engaging. Bonus features include commentary with co-writer and producer Marc Adler, co-director and co-writer Jason Maurer, and animation and visual effects supervisor Warren Grubb; a behind the scenes look at how the voice talent shaped the film's characters, a featurette detailing the composer's and sound designer's thoughts about the sounds of Delgo; meet the characters and creatures functions, and six deleted scenes. (Ages 10 and older) --Tami Horiuchi

Stills from Delgo (Click for larger image)




 

Zoe is a little girl who believes in fairy tales. In order to help her uncle Lord Arnold get rid of a terrible dragon, Zoe decides she has to find some heroes. When she meets Gwizdo and Lian-Chu, a couple of two-bit, fly-by-night dragon hunters, she decides that she s going to believe in them and set out on an adventure to bring peace to the land.

Fahrenheit 9/11

  • Controversy.What Controversy? In the most provocative film of the year, Academy Award winner Michael Moore presents a searing examination of the role played by money and oil in the wake of the tragic events of 9/11. Michael Moore blends captivating and thought-provoking footage with revealing interviews while balancing it all with his own brand of humor and satire. Format: DVD MOVIE Gen
In the most provocative film of the year, Academy Award-winner Michael Moore presents a searing examination of the role played by greed and oil in the wake of the tragic events of 9/11. From Academy-Award winning director Michael Moore (Bowling for Columbine). WINNER, Palme D’Or Award at the Cannes Film Festival, BEST PICTURE. DVD features:

* "The Release of Fahrenheit 9/11" featurette
* "Iraq, Pre-War" featurette: The people of Iraq on the eve of invasion
* "Homeland security, Miami style"! featurette: Footage of the old men who patrol the Florida coast lookng for terrorists as part of the homeland security plan
* "Outside Abu Ghraib Prison"
* Eyewitness account from Samara, Iraq
* "Lila, D.C.": Lila Lipscomb at the Washington, D.C. premiere
* Arab-American comedians: Their acts and experiences after 9/11
* Extended interview: More with Abdul Henderson
* "Condi 9/11": Condoleezza Rice's 9/11 Commission testimony
* "Bush Rose Garden": George W. Bush's full press briefing after 9/11 Commission appearanceTo anyone who truly understands what it means to be an American, Michael Moore's Fahrenheit 9/11 should be seen as a triumph of patriotic freedom. Rarely has the First Amendment been exercised with such fervor and forthrightness of purpose: After subjecting himself to charges of factual errors in his gun-lobby exposé Bowling for Columbine, Moore armed himself with a platoon of reputable fact-checkers, an abundanc! e of indisputable film and video footage, and his own ironical! ly comed ic sense of righteous indignation, with the singular intention of toppling the war-ravaged administration of President George W. Bush. It's the Bush presidency that Moore, with his provocative array of facts and figures, blames for corporate corruption, senseless death, unnecessary war, and political favoritism toward Osama Bin Laden's family and Saudi oil partners following the terrorist attacks of September 11, 2001. Moore's incendiary film earned Palme d'Or honors at Cannes and a predictable legion of detractors, but do yourself a favor: Ignore those who condemn the film without seeing it, and let the facts speak for themselves. By honoring American soldiers and the victims of 9/11 while condemning Bush's rationale for war in Iraq, Fahrenheit 9/11 may actually succeed in turning the tides of history. --Jeff ShannonControversy...What Controversy?

In the most provocative film of the year, Academy Award winner Michael Moore presents a searing examination! of the role played by money and oil in the wake of the tragic events of 9/11. Michael Moore blends captivating and thought-provoking footage with revealing interviews while balancing it all with his own brand of humor and satire.
To anyone who truly understands what it means to be an American, Michael Moore's Fahrenheit 9/11 should be seen as a triumph of patriotic freedom. Rarely has the First Amendment been exercised with such fervor and forthrightness of purpose: After subjecting himself to charges of factual errors in his gun-lobby exposé Bowling for Columbine, Moore armed himself with a platoon of reputable fact-checkers, an abundance of indisputable film and video footage, and his own ironically comedic sense of righteous indignation, with the singular intention of toppling the war-ravaged administration of President George W. Bush. It's the Bush presidency that Moore, with his provocative array of facts and figures, blames for corporate corr! uption, senseless death, unnecessary war, and political favori! tism tow ard Osama Bin Laden's family and Saudi oil partners following the terrorist attacks of September 11, 2001. Moore's incendiary film earned Palme d'Or honors at Cannes and a predictable legion of detractors, but do yourself a favor: Ignore those who condemn the film without seeing it, and let the facts speak for themselves. By honoring American soldiers and the victims of 9/11 while condemning Bush's rationale for war in Iraq, Fahrenheit 9/11 may actually succeed in turning the tides of history. --Jeff Shannon

Kindle Fire Lightweight MicroShell Folio Cover by Marware, Black

Monster High Abbey Bominable Doll With Pet Wooly Mammoth Named Shivver

  • The ghouls from monster high are freakishly fabulous
  • Abbey Bominable is the daughter of the Yeti
  • Doll is fully articulated so she can be posed in many different ways
  • Includes doll, pet Wooly Mammoth Shiver, doll stand, brush, diary and accessory
  • Collection all your favorite monster high dolls
It has been sighted 42,000 times in 68 countries, a vicious creature of myth and legend called Sasquatch, Yeti, and perhaps most infamously, Bigfoot. We ve hunted it for years. But what happens when it decides to hunt us? For newly paraplegic mountain climber Preston Rogers (Matt McCoy), the horror hits home when this ravenous beast attacks a remote forest community. Will its next hot meal be a group of knucklehead hunters (including Lance Henriksen of ALIENS & Jeffrey Combs of RE-ANIMATOR), a skeptical police chief (Paul Gleason of DIE HARD), a cabin full of nubile co-eds! (including Ashley Hartman of THE O.C.), or a trapped Preston himself? Rex Linn (CSI: MIAMI) and Dee Wallace-Stone (CUJO) co-star in this wild and gruesome horror shocker that Fangoria calls the best serious fright film ever made about Bigfoot!It has been sighted 42,000 times in 68 countries, a vicious creature of myth and legend called Sasquatch, Yeti, and perhaps most infamously, Bigfoot. We ve hunted it for years. But what happens when it decides to hunt us? For newly paraplegic mountain climber Preston Rogers (Matt McCoy), the horror hits home when this ravenous beast attacks a remote forest community. Will its next hot meal be a group of knucklehead hunters (including Lance Henriksen of ALIENS & Jeffrey Combs of RE-ANIMATOR), a skeptical police chief (Paul Gleason of DIE HARD), a cabin full of nubile co-eds (including Ashley Hartman of THE O.C.), or a trapped Preston himself? Rex Linn (CSI: MIAMI) and Dee Wallace- Stone (CUJO) co-star in this wild and gruesome horror s! hocker that Fangoria calls the best serious fright film ever m! ade abou t Bigfoot!Botanist Dr. John Rollason (Peter Cushing) decides the join the exploration team of crass, American showman Tom Friend (Forrest Tucker) on a dangerous expedition into the Himalayas to search for the legendary Yeti. Soon after setting up camp, the group is attacked by a large beast which is shot by trapper Ed Shelley (Robert Brown) and stored in a cave to attract a live specimen. Before long, the strain of the expedition is felt and the party begins to lose control. To his growing terror, Dr. Rollason suspects that the race of giant "monsters" not only exists, but is capable on invading the thoughts of human beings.

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.Made the same year as the gory gothic hit The Curse of Frankenstein, this smartly written, philosophically grounded Hammer studios adventure written by Nigel Kneale (who also wrote the excellent science fiction thriller Quatermass and its two sequels) was lost in the flesh and blood of Hammer's new vein of horror. Peter Cushing, best known for his ruthless portrayals of Dr. Frankenstein and his more tempered rationalist skew on vampire hunter Van Helsing, plays another scientist driven to prove his unpopular theories. Against the advice of his wife and a kindly but firm Tibetan monk, he leads blustery American showman Forrest Tucker and his party of explorers up the frozen peaks (the Pyrenees standing in quite spectacularly for the Himalayas) to track the fabled Yeti. When he discovers that this is no scientific expedition but a hunting party he starts to have second thoughts, which are only reinforced by Tucker's mercenary behavior when he kills one of the creatures. Director Val Guest keeps the "monsters" hidden until the final showdown, where their hulking silhouettes loom over the cave entrance, but their mournful cries haunt the camp like wailing ghosts, slowly driving the party! members mad. While it lacks the edgy desperation and inventiv! eness of Kneale's Quatermass features, The Abominable Snowman is a taut thriller that contrasts the gorgeous aerial mountain photography with the claustrophobic atmosphere of the tents and caves of the base camp. --Sean Axmaker A college football team must find a way to survive after their plane crashes on a remote mountain during a blizzard. What starts as a battle against the elements becomes a desperate struggle to escape when they discover an ancient creature with a ravenous appetite for fresh meat. Will they survive the sub-zero temperatures, only to be eaten by the snow beast that hunts them down?SASQUATCH MOUNTAIN - DVD MovieA 1970s documentary-style drama questions the existence of a hairy 7ft tall Sasquatch-type monster that lives in a swap outside of Fouke, Arkansas. According to the locals the monster walks on two feet, has a characteristic smelly odor and kills chicken,Disc 1 Side A: Abominable Dr. Phibes WS Disc 1 Side B: Dr. Phibes Rises Again WS

Di! sc 2 Side A: Tales of Terror WS Disc 2 Side B: Twice Told Tales WS

Disc 3 Side A: Theater of Blood WS Disc 3 Side B: Madhouse WS

Disc 4: Witchfinder General (aka Conqueror Worm) WS

Disc 5: Bonus Disc **"Vincent Price: Renaissance Man" - Documentary **"The Art of Fear" - Featurette **"Working with Vincent Price" - Featurette The high baroque period of Vincent Price's career is well represented with this box, which offers seven horror-minded feature films and some supporting extras. If there were ever any doubt that Price was in on the joke, this collection would dispel it: in most of these movies he's having a ball, cheerfully sending up his own image--although the set also boasts perhaps his finest straight performance.

Thanks to the previous likes of House of Wax and The Fly, Price had his horror cred well established, which is perhaps why he's already winking at the idea in the earliest movie here, 1962's Tales of Terror. The movie c! ertainly has an impeccable horror pedigree: three stories by ! Edgar Al lan Poe, adapted by Richard Matheson, and directed by Roger Corman. Price stars in all three, making a slow start with "Morella," then clicking into gear with Peter Lorre in a broadly comic "The Black Cat," and winding up with great liquefying make-up (and Basil Rathbone) in "The Case of M. Valdemar." The 1963 Twice Told Tales borrows Corman's triptych set-up with three Nathaniel Hawthorne stories, but the results are fairly dull. The best of the trio is the first story, in which Price and Sebastian Cabot sip a youth potion, with regrettable results.

Witchfinder General (re-edited and known for years in the U.S. as The Conqueror Worm) is the gem of the collection, a truly harrowing film for which Price eschewed any hint of camp. He plays a 17th-century witchfinder, and the film pulls no punches in pointing out the sadism of his job (and the way religious paranoia is linked to misogyny). It's the best and final work by the promising director Michael ! Reeves, who died in 1969 from a drug overdose; he was only 24 when he made this film.

From there, the set skips into Price's 1970s silly season. The Abominable Dr. Phibes was a surprise hit in 1971, and it's easy to see the appeal: Price goes over the top in his portrayal of a Phantom of the Opera type who exacts revenge by invoking the Old Testament plagues. Joseph Cotten and Terry-Thomas are in the cast. Dr. Phibes Rises Again isn't quite as madly focused--this time the doctor is in Egypt, looking for a way to revive his late wife--but the tongue-in-cheek spirit prevails.

Those films paved the way for a similar but more inspired outing, and a movie Price spoke of as a personal favorite: Theater of Blood, a deliciously wicked thing about a ham actor who murders his critics. Not only does Price have a high old time reciting Shakespeare, he gets to knock off some wonderful victims: Robert Morley, Jack Hawkins, and Price's future wife Coral B! rowne among them. Diana Rigg is a welcome bonus. Madhouse round s out the disc, an actively bad movie along the same lines; Price plays a horror-movie actor whose personal instability mirrors his film persona. The picture is ham-handed in every way, though it's good to see Peter Cushing toe-to-toe with Price. Also in the set: a Disc of Horrors, with an hour's worth of featurettes on the man. --Robert HortonTHE ABOMINABLE DR. PHIBES: Original Theatrical Trailer DR. PHIBES RISES AGAIN!: The high baroque period of Vincent Price's career is well represented with this box, which offers seven horror-minded feature films and some supporting extras. If there were ever any doubt that Price was in on the joke, this collection would dispel it: in most of these movies he's having a ball, cheerfully sending up his own image--although the set also boasts perhaps his finest straight performance.

Thanks to the previous likes of House of Wax and The Fly, Price had his horror cred well established, which is perhaps why he! 's already winking at the idea in the earliest movie here, 1962's Tales of Terror. The movie certainly has an impeccable horror pedigree: three stories by Edgar Allan Poe, adapted by Richard Matheson, and directed by Roger Corman. Price stars in all three, making a slow start with "Morella," then clicking into gear with Peter Lorre in a broadly comic "The Black Cat," and winding up with great liquefying make-up (and Basil Rathbone) in "The Case of M. Valdemar." The 1963 Twice Told Tales borrows Corman's triptych set-up with three Nathaniel Hawthorne stories, but the results are fairly dull. The best of the trio is the first story, in which Price and Sebastian Cabot sip a youth potion, with regrettable results.

Witchfinder General (re-edited and known for years in the U.S. as The Conqueror Worm) is the gem of the collection, a truly harrowing film for which Price eschewed any hint of camp. He plays a 17th-century witchfinder, and the film pu! lls no punches in pointing out the sadism of his job (and the ! way reli gious paranoia is linked to misogyny). It's the best and final work by the promising director Michael Reeves, who died in 1969 from a drug overdose; he was only 24 when he made this film.

From there, the set skips into Price's 1970s silly season. The Abominable Dr. Phibes was a surprise hit in 1971, and it's easy to see the appeal: Price goes over the top in his portrayal of a Phantom of the Opera type who exacts revenge by invoking the Old Testament plagues. Joseph Cotten and Terry-Thomas are in the cast. Dr. Phibes Rises Again isn't quite as madly focused--this time the doctor is in Egypt, looking for a way to revive his late wife--but the tongue-in-cheek spirit prevails.

Those films paved the way for a similar but more inspired outing, and a movie Price spoke of as a personal favorite: Theater of Blood, a deliciously wicked thing about a ham actor who murders his critics. Not only does Price have a high old time reciting Shakespeare, he ge! ts to knock off some wonderful victims: Robert Morley, Jack Hawkins, and Price's future wife Coral Browne among them. Diana Rigg is a welcome bonus. Madhouse rounds out the disc, an actively bad movie along the same lines; Price plays a horror-movie actor whose personal instability mirrors his film persona. The picture is ham-handed in every way, though it's good to see Peter Cushing toe-to-toe with Price. Also in the set: a Disc of Horrors, with an hour's worth of featurettes on the man. --Robert HortonThis unusually beautiful horror classic features Vincent Price in the title role of Dr. Anton Phibes, a genius who specializes in organ music, theology, and concocting bizarre deaths for anyone who wrongs him. Discovering why is half the fun, so for now let's just say that Phibes is a little mad and very, very angry. With his assistant, the lovely, silent Vulnavia, Phibes begins cutting a gory swath through London's medical community, with the dogged ! Inspector Trout hot on his tail. Phibes contains many p! leasures --exquisite art direction and a dark sense of humor among them--but the real treat is in watching an old pro like Price at work. Whether he's playing his organ, staring down a victim, or drinking through his neck, Price is at the top of his game. He mixes dark menace with wry comic touches, revealing both Phibes's maniacal obsession and offhanded confidence in his own genius. Settle in for an evening of elegant gore and if an attractive, mute deliverywoman comes to the door, whatever you do--don't answer! --Ali Davis

Draculaura, Clawdeen Wolf, Frankie Stein and Lagoona Blue are the coolest ghouls in school with their trendy fashions, accessories and scary cute pets. And they have some very famous scary cool parents as well. Draculaura is the daughter of Dracula, Clawdeen Wolf is the daughter of the Werewolf, Frankie Stein is the daughter of Frankenstein and Lagoona Blue is the daughter of the Sea Monster. Dolls are fully articulated so they can be posed in many diff! erent ways. Includes one doll, pet, accessory, diary, brush, and doll stand.The Monster High Girls are freakishly fabulousCoolest ghouls in school with their trendy fashions, and scary cute petsFeatures the children of infamous monsters: Dracula, Werewolf, Frankenstein, and moreDolls are fully articulated so they can be posed in many different waysIncludes doll, pet, accessory, diary, brush, and doll stand

  • Recommended Ages: 6 years - 12 years

Baby Einstein Take Along Tunes

  • Large easy press button toggles through 7 high quality classical melodies
  • Colorful lights dance across the screen to each song
  • Colorful Baby Einstein caterpillar handle is easy for little hands to hold and take anywhere
  • Off/Low/High volume switch
  • Promotes auditory development and music appreciation
Experience joy and happiness at its purest in this life-affirming, universal celebration of the magic and innocence of Babies. Proving that if you surround your baby with love it doesn’t matter what culture you’re from or what child-rearing practices you follow. Babies travels the globe following four children from vastly different corners of the worldâ€"Ponijao from Namibia, Bayarjargal from Mongolia, Mari from Tokyo and Hattie from San Francisco. Sure to put a smile on your face and a warm feeling in your heart, it’s the film that critics and audiences agr! ee “could be the feel-good movie of the decade!” (Moviefone)The babies in Babies are four newborns, photographed in their natural habitat in distinctly different parts of the world. Hattie is in San Francisco, Mari's in Tokyo, Baryarjargal lives out in the Mongolian steppes, and Ponijao is born amid the simple straw huts of Namibia. In the course of less than 80 minutes, we're going to follow this quartet through their first year of life, a chronicle that director Thomas Balmes and producer Alain Chabat have likened to a nature documentary that happens to focus on humans. We can cut to the chase here and say that above and beyond any sociological weight this project might possess, this film's main method can be summed up in the words of David Byrne and Talking Heads from the song "Stay Up Late": "See him drink / From a bottle / See him eat / From a plate / Cute cute / As a button /Don't you want to make him stay up late." In short, babies are cute, babies are fun! ny, and a camera focused on a baby is going to catch the sudde! n mood s hifts and clunky crawling and all the other ingredients of home movies. Along the way, we may pause to notice the cultural differences between the locales, as the American baby seems elaborately nurtured (maybe baby yoga classes could wait a year?) and the African baby views a world just as full of wonder and newness as anywhere else, despite the material poverty of the locale. The Namibia and Mongolia sequences are certainly more arresting than the two urban sections, because their backdrops are so dramatically unusual to most Western eyes. If those differences are colorful, the movie nevertheless suggests that babies are more alike in their development than they are different. Is this enough to qualify as a movie? Well, even if Babies really is little more than a collection of sure-fire infant cuteness, it'll probably be enough for its target audience. --Robert HortonBABIES - Blu-Ray MovieThe babies in Babies are four newborns, photographed in their na! tural habitat in distinctly different parts of the world. Hattie is in San Francisco, Mari's in Tokyo, Baryarjargal lives out in the Mongolian steppes, and Ponijao is born amid the simple straw huts of Namibia. In the course of less than 80 minutes, we're going to follow this quartet through their first year of life, a chronicle that director Thomas Balmes and producer Alain Chabat have likened to a nature documentary that happens to focus on humans. We can cut to the chase here and say that above and beyond any sociological weight this project might possess, this film's main method can be summed up in the words of David Byrne and Talking Heads from the song "Stay Up Late": "See him drink / From a bottle / See him eat / From a plate / Cute cute / As a button /Don't you want to make him stay up late." In short, babies are cute, babies are funny, and a camera focused on a baby is going to catch the sudden mood shifts and clunky crawling and all the other ingredients of home m! ovies. Along the way, we may pause to notice the cultural diff! erences between the locales, as the American baby seems elaborately nurtured (maybe baby yoga classes could wait a year?) and the African baby views a world just as full of wonder and newness as anywhere else, despite the material poverty of the locale. The Namibia and Mongolia sequences are certainly more arresting than the two urban sections, because their backdrops are so dramatically unusual to most Western eyes. If those differences are colorful, the movie nevertheless suggests that babies are more alike in their development than they are different. Is this enough to qualify as a movie? Well, even if Babies really is little more than a collection of sure-fire infant cuteness, it'll probably be enough for its target audience. --Robert Horton

Creepshow [Blu-ray]

  • Two macabre masters - writer Stephen King and director George A. Romero - conjure up five shocking yarns, each a virtuoso exercise in the ghouls-and-gags style ofic '50s horror comics. A murdered man emerges from the grave for Father's Day cake. A meteor's ooze makes everything . grow. A professor selects his wife as a snack for a crated creature. A scheming husband plants two lovers up to their
THREE TALES OF HORROR: A HIT AND RUN DRIVER IN THE HITCHHIKER A WOODEN INDIAN ON THE WARPATH IN OL' CHIEF WOODENHEAD & FOUR FRIENDS WHOSE VACATION ON A SECLUDED LAKE TURNS INTO ANIGHTMARE IN THE RAFT. FEATURES: WIDESCREEN, THEATRICAL TRAILER, PHOTO GALLERY.What is it about hitchhikers that makes them such a sure-fire bet for horror? This question is addressed in the final segment of Creepshow 2, another Stephen King-George Romero collaboration. "The Hitchhiker" is the simplest and best of the t! hree tales on display here, with Lois Chiles as a cheating wife who just can't seem to get rid of a hitchhiker... no matter how hard she tries. The collection gets off to a slow start with "Old Chief Wood'n Head," a sleepy story of Native American justice. "The Raft" is a passable teens-in-peril number, but it worked better on the page than on screen. Romero adapted the King stories but emphatically did not direct, which accounts for the drop-off from the kicky fun of the first Creepshow. King appears as a dimwitted truck driver--a foreshadowing of Maximum Overdrive? In any case, this one's for diehard fans only. --Robert HortonThe rotting Creep himself is back with three new gruesome tales of horror that will make your skin crawl: a cigar store wooden Indian comes to life to avenge the store owner's brutal murder at the hands of three punks in Ol’ Chief Woodenhead. Then four teenagers become the target of a terrifying, man-eating oil slick in ! The Raft. The chills continue with The Hitchhiker, the c hilling tale of a woman who keeps running into, and over, the same mutilated man on a lonely road. Prepare for a terrifying roller coaster ride from the masters of horror!What is it about hitchhikers that makes them such a sure-fire bet for horror? This question is addressed in the final segment of Creepshow 2, another Stephen King-George Romero collaboration. "The Hitchhiker" is the simplest and best of the three tales on display here, with Lois Chiles as a cheating wife who just can't seem to get rid of a hitchhiker... no matter how hard she tries. The collection gets off to a slow start with "Old Chief Wood'n Head," a sleepy story of Native American justice. "The Raft" is a passable teens-in-peril number, but it worked better on the page than on screen. Romero adapted the King stories but emphatically did not direct, which accounts for the drop-off from the kicky fun of the first Creepshow. King appears as a dimwitted truck driver--a foreshadowing of Maxi! mum Overdrive? In any case, this one's for diehard fans only. --Robert HortonCREEPSHOW 2 - DVD MovieWhat is it about hitchhikers that makes them such a sure-fire bet for horror? This question is addressed in the final segment of Creepshow 2, another Stephen King-George Romero collaboration. "The Hitchhiker" is the simplest and best of the three tales on display here, with Lois Chiles as a cheating wife who just can't seem to get rid of a hitchhiker... no matter how hard she tries. The collection gets off to a slow start with "Old Chief Wood'n Head," a sleepy story of Native American justice. "The Raft" is a passable teens-in-peril number, but it worked better on the page than on screen. Romero adapted the King stories but emphatically did not direct, which accounts for the drop-off from the kicky fun of the first Creepshow. King appears as a dimwitted truck driver--a foreshadowing of Maximum Overdrive? In any case, this one's for diehard fans! only. --Robert HortonTwo macabre masters - writer Step! hen King and director George A. Romero - conjure up five shocking yarns, each a virtuoso exercise in the ghouls-and-gags style of classic '50s horror comics. A murdered man emerges from the grave for Father's Day cake. A meteor's ooze makes everything ... grow. A professor selects his wife as a snack for a crated creature. A scheming husband plants two lovers up to their necks in terror. A malevolent millionaire with an insect phobia becomes the prey of a cockroach army. Add the spirited performances of a fine cast (Hal Holbrook, Adrienne Barbeau, Leslie Nielsen, Ted Danson, E.G. Marshall and King himself) and the ghoulish makeup wizardry of Tom Savini. Let the Creepshow begin.

DVD Features:
Interactive Menus
Scene Access
Theatrical Trailer

Inspired by the controversial E.C. Comics of the 1950s--which also provided the title and inspiration for the popular Tales from the Crypt TV series--director George Romero and screenwriter Ste! phen King serve up five delightfully frightful stories. Utilizing comic-book panels, animated segues, and exaggerated lighting and camera angles, Romero and cinematographer Michael Gornick come very close to replicating a horror comic in film format. The results mix fine acting with the morbid sense of humor and irony that made the E.C. books so popular in their heyday. Actors such as Leslie Nielsen, Hal Holbrook, Ted Danson, Adrienne Barbeau, Ed Harris, E.G. Marshall, and even King appear in the stories, which include tales of a sinister father's day celebration, a mysterious meteor, seaweed-draped zombies, a monster in a crate, and a cockroach-phobic millionaire. Fiendishly fun fare from one of horror's most famous directors. --Bryan ReesmanStudio: Warner Home Video Release Date: 09/08/2009 Run time: 134 minutes Rating: Pg13Inspired by the controversial E.C. Comics of the 1950s--which also provided the title and inspiration for the popular Tales from the Cry! pt TV series--director George Romero and screenwriter Step! hen King serve up five delightfully frightful stories. Utilizing comic-book panels, animated segues, and exaggerated lighting and camera angles, Romero and cinematographer Michael Gornick come very close to replicating a horror comic in film format. The results mix fine acting with the morbid sense of humor and irony that made the E.C. books so popular in their heyday. Actors such as Leslie Nielsen, Hal Holbrook, Ted Danson, Adrienne Barbeau, Ed Harris, E.G. Marshall, and even King appear in the stories, which include tales of a sinister father's day celebration, a mysterious meteor, seaweed-draped zombies, a monster in a crate, and a cockroach-phobic millionaire. Fiendishly fun fare from one of horror's most famous directors. --Bryan Reesman

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HELD UP - DVD MovieIn Held Up, a romantic trip turns sour when Rachel (Nia Long) learns that Michael (Jamie Foxx) used the down payment for their future home to buy a classic car. Disgusted, she leaves him at a roadside gas station in the middle of the Nevada desert. Soon the car is stolen, thieves descend to rob the place, and the untimely arrival of the police creates a hostage situation with Michael in the middle. The circumstances want to cascade into mounting absurdity, but the ending doesn't quite provide a strong capper. Still, getting there is entertaining. Foxx is engaging, and the supporting cast--including Julie Hagerty, John Collum, Barry Corbin, and Jake Busey--create a colorful collection of loca! ls. --Bret FetzerKaitlin Olson (It's Always Sunny In Philadelphia) stars opposite Jon Dore in this hilarious heist comedy written and directed by Jason and Randy Sklar (Cheap Seats). A disgruntled and bored bank teller named Ray (Jon Dore) finally gets his wish for some excitement when the branch is held up by two teams of crazy robbers disguised as Rocky I, Rocky II, Batman and Robin. As the robbery unfolds, the hostages fall victim to a comedic version of the Stockholm Syndrome and begin sympathizing with their dimwitted captors, which leads to an extended siege as Ray pursues a romantic relationship with one of the robbers (Kaitlin Olson).

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SPRUNG/HELD UP - DVD MovieIn Held Up, a romantic trip turns sour when Rachel (Nia Long) learns that Michael (Jamie Foxx) used the down payment for their future home to buy a classic car. Disgus! ted, she leaves him at a roadside gas station in the middle of! the Nev ada desert. Soon the car is stolen, thieves descend to rob the place, and the untimely arrival of the police creates a hostage situation with Michael in the middle. The circumstances want to cascade into mounting absurdity, but the ending doesn't quite provide a strong capper. Still, getting there is entertaining. Foxx is engaging, and the supporting cast--including Julie Hagerty, John Collum, Barry Corbin, and Jake Busey--create a colorful collection of locals. --Bret FetzerMy Best Friend's Girl:
Smart, beautiful and headstrong, Alexis is the girl of Dustin's dreams. But after only five weeks of dating, the love-struck Dustin is coming on so strong that Alexis is forced to slow things down - permanently. Devastated and desperate to get her back, Dustin turns to his best friend, Tank, the rebound specialist. A master at seducing - and offending - women, Tank gets hired by freshly dumped guys to take their ex-girlfriends out on the worst date of their ! lives - an experience so horrible it sends them running gratefully back to their beaus. But when Tank works his magic on Alexis, he ends up meeting the challenge of a lifetime. Alexis is the first girl who knows how to call his bluff, and Tank soon finds himself torn between his loyalty to Dustin and a strange new attraction to his best friend's girl.

Held Up:
Michael Dawson (Jamie Foxx) is a winner. He is a sexy, smart and successful Chicago businessman on vacation with his beautiful fiancee, Rae (Nia Long). But Michael's world is turned upside down when Rae dumps him in the desert - his car is jacked by a teenager; and worse, he is taken hostage in a stickup at the local Sip and Zip. What should have been a romantic getaway, turns into one hilarious bungle after another.

Jailbait:
It's not easy being the most popular couple in high school. Adam and Amber are the golden pair of Gaitlin High and are very busy being cool. Yet! somehow Adam fins time for extracurricular activities, like "! making i t" with Gynger, a sophomore, in the bathroom ofa local restaurant. Soon, Adam's tidy world starts to fall apart when he finds out Gynger is pregnant. An ambitious Assistant District Attorney decides to file charges against Adam. Trying to help, Adam's parents hire a third-rate attorney whose every move just makes matters worse! Jailbait! is a wickedly funny look at how far some guys will go to score. Can Adam find a way to keep himself out of jail and his girlfriend by this side? Watch this hysterical teen comedy featuring a cool cast of young stars and a hip soundtrack. See what happens when hormones rage and you're under age!!

Loco Love:
When Donald's wealthy wife leaves him and takes his restaurant with her, help comes in the unlikely for of his gardener (Gerado Mejia) and recent lottery winner. The gardener offers him a new restaurant if he agrees to marry his beautiful but shrewish sister (Laura Elena Harring) so she can get a green card.! Donald's luck seems to have gone from bad to worse as he finds that he has not onlymarried an incredibly feisty woman but also an equally eccentric and wacky family. Cultures clash and roles reverse in this zesty comedy that proves love knows no borders.1 HP by pass motor. Dent and rust resistant plastic tank. Automatic float shut off stops wet pickup when full. Compact and portable with a convenient top carrying handle. Reusable dry filter (model
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Dirty Deeds (Unrated)