Underworld Movie Denis Leary Joe Mantegna Annabella Sciorra Original Poster Print - 27x40

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Annabella Sciorra plays a Manhattan shrink with a couple of particularly troubling patients. The most haunting is a woman (Deborah Unger) with unusually kinky sexual tastes; Sciorra gets gooned out when she realizes that her new boyfriend (Jamey Sheridan) is the same guy her patient has been seeing. And when the patient winds up dead, Sciorra begins looking slantwise at her boyfriend. Unfortunately, despite some spooky mood setting, this psychological thriller goes in circles and ends up nowhere, thanks to the implausible stretches of writer-director Christopher Crowe's script. Sciorra seems hollow at the film's center, though Sheridan brings a certain scary charisma to his boyf! riend role and Alan Alda is solid as her psychiatric mentor. --Marshall FineAnnabella Sciorra plays a Manhattan shrink with a couple of particularly troubling patients. The most haunting is a woman (Deborah Unger) with unusually kinky sexual tastes; Sciorra gets gooned out when she realizes that her new boyfriend (Jamey Sheridan) is the same guy her patient has been seeing. And when the patient winds up dead, Sciorra begins looking slantwise at her boyfriend. Unfortunately, despite some spooky mood setting, this psychological thriller goes in circles and ends up nowhere, thanks to the implausible stretches of writer-director Christopher Crowe's script. Sciorra seems hollow at the film's center, though Sheridan brings a certain scary charisma to his boyfriend role and Alan Alda is solid as her psychiatric mentor. "--Marshall Fine"Annabella Sciorra plays a Manhattan shrink with a couple of particularly troubling patients. The most haunting is a woman (Deborah Unger) wi! th unusually kinky sexual tastes; Sciorra gets gooned out when! she rea lizes that her new boyfriend (Jamey Sheridan) is the same guy her patient has been seeing. And when the patient winds up dead, Sciorra begins looking slantwise at her boyfriend. Unfortunately, despite some spooky mood setting, this psychological thriller goes in circles and ends up nowhere, thanks to the implausible stretches of writer-director Christopher Crowe's script. Sciorra seems hollow at the film's center, though Sheridan brings a certain scary charisma to his boyfriend role and Alan Alda is solid as her psychiatric mentor. --Marshall FineRomantic comedy centering around a New York con edison worker who gets an unexpected second chance at first love.A Moonstruck by, for and about real people, [this] raucously funny film (The New York Times) stars Annabella Sciorra ('the Sopranos ) and Ron Eldard (Black Hawk Down) as a young, hot-tempered couple whose disagreements over their upcoming wedding could very well land them in divorce court! A delightful spoof (T! he Hollywood Reporter) on the don'ts of saying I do, True Love is both funny and fascinating (Los Angeles Times)! Donna (Sciorra) and Michael (Eldard) are newlyweds-to-beor not to bewhen their big decision to marry is undermined by all the small decisions about the wedding! From the color of his tuxedo to the color of her mashedpotatoes, this once-romantic twosome has lost the love that brought them to the brink of matrimony and found that their differences could take them to the brink of insanity!This amusing but uncomfortable story about preparations and rituals for a Bronx wedding, from the engagement party to the big day itself, is a patchwork quilt of comedy and drama from director Nancy Savoca (Dogfight). At the heart of the story is the suspicion that perhaps the two people getting hitched aren't right for each other, but the engine of a family wedding has raced ahead of other considerations. Ron Eldard is very good as the boy-man groom-to-be, and Annabel! la Sciorra is also strong as his more mature fiancée. The scr! ipt is b y Savoca and her own husband, Richard Guay. --Tom Keogh

The bestselling author of Stones from the River delivers her most ambitious and dramatic novel yet -- the unforgettable story of an endearing, but also flawed, Italian American family.

In December 1953 Anthony Amedeo's world is nested in his Bronx neighborhood, his parents' Studebaker, the Paradise Theater, Yankee Stadium -- and in his imagination, where he longs for a stencil kit to decorate the windows like all the other kids on his street. Instead he gets a very different present: his uncle Malcolm's family.

Malcolm is in jail for stealing -- once again -- from his last new job, and Anthony's aunt and twin cousins settle into the Amedeos' fifth-floor walk-up. Sharing a room with girls is excruciating for Anthony, despite his affinity for the twins. But the real change in Anthony's life comes one evening when he causes the unthinkable to happen, changing each family member's life f! orever.

Evoking all the plenty and optimism of postwar America, Sacred Time spans three generations, taking us from the Bronx of the 1950s to contemporary Brooklyn. Keenly observing the dark side of family as well as its gracefulness, Hegi has outdone herself with this captivating novel about childhood's tenderness and the landscape of loneliness. Ultimately she reveals how the transforming power of a singular event can reverberate through a family for generations. With gravity and poise, Hegi turns her astute yet forgiving eye on the essential frailty and dignity of the human condition in this elegant and fast-paced novel.This amusing but uncomfortable story about preparations and rituals for a Bronx wedding, from the engagement party to the big day itself, is a patchwork quilt of comedy and drama from director Nancy Savoca (Dogfight). At the heart of the story is the suspicion that perhaps the two people getting hitched aren't right for each other, but t! he engine of a family wedding has raced ahead of other conside! rations. Ron Eldard is very good as the boy-man groom-to-be, and Annabella Sciorra is also strong as his more mature fiancée. The script is by Savoca and her own husband, Richard Guay. --Tom Keogh Underworld Movie Denis Leary Joe Mantegna Annabella Sciorra Original Poster Print - 27x40

The 10th Victim

• 10TH VICTIM, THE (DVD MOVIE)

Uncut and Uncensored Like You've Never Seen It Before!

When her anthropologist husband disappears in New Guinea, Susan Stevenson (Ursula Andress of DR. NO) convinces her colleague Dr. Edward Foster (Stacy Keach of PRISON BREAK) to lead her into the dark heart of the deadly jungle. But while exploring the forbidden mountain of Ra-Rami, the expedition is attacked and captured by a tribe of primitive natives. Even if they can escape the barbaric tortures of these flesh-eating savages, can Susan survive the depraved lust of their Cannibal God?

Prepare yourself for the definitive edition of this notorious shocker! MOUNTAIN OF THE CANNIBAL GOD has been completely restored from original vault materials and now includes the legendary and never-before-seen footage of deviant sexuality from the private collection of director Sergio Martino (TORSO)! .She has waited 2000 years for her lover to be reborn - the lover dead by her own hand! Luscious Ursula Andress stars in H. Rider Haggard's classic tale of an ageless love goddess, ruler of a magnificent lost mountain realm, who discovers the reincarnation of her beloved in a handsome English adventurer (John Richardson). Promising riches and her seductive self, she lures him through countless perils into the Desert of Lost Souls, the Mountains of the Moon and a pillar of fire that grants eternal life. Famed horror team Peter Cushing and Christopher Lee co-star in this imaginative story of danger and desire.

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THE ORIGINAL SEXY '60s CULT CLASSIC IS BACK!

It is the 21st Century, and society's lust for violence is satisfied by "The Big Hunt," an international game of legalized murder. But when the sport's two top assassins (Marcello Mastro! ianni and Ursula Andress) are pitted against each o! ther, th ey find that love is the most dangerous game of all. As the world watches, the hunt is on. Who will become THE 10TH VICTIM?

THE 10TH VICTIM is the international cult classic whose wild action and sexy style has influenced a generation of movies, from THE RUNNING MAN to the AUSTIN POWERS series. Remastered from original archival negative materials, this outrageous satire is presented here in its original Italian language with optional English subtitles.

EXTRAS:
Theatrical Trailer
Talent BiosLong before reality shows took over the TV airwaves and violent parodies like Series 7 and Battle Royale hit international screens, Elio Petri made this campy social satire of a future in which the bored, the ambitious, and the just plain violent can sign up for a deadly game of cat and mouse. "The Big Hunt is necessary as a social safety valve," explains one TV personality. "Why control births when we can control deaths?" Marcello Mastroianni, who plays the womaniz! ing Italian media darling with a gift for ingenious assassinations, becomes the target of sexy champion Ursula Andress, a New York Amazon with a wardrobe as deadly as it is chic. She'll pocket $1 million if she can successfully kill Mastroianni, her 10th and last victim, but on the side she concocts a deal to do the deed in concert with a live song-and-dance extravaganza mounted by a tea company.

Directed with tongue firmly in cheek, Petri lampoons the whole media obsession with high-risk contests and games of chance with cool style, absurdly chic fashions, a bouncy score of organ riffs and funky lounge sounds, and a comically blasé performance by Mastroianni. It's like Fellini gone ballistic with a hint of Divorce, Italian Style: a battle of the sexes in a world where spontaneous shootouts are forever erupting in the fringes of the frame. --Sean Axmaker