Sunday, November 20, 2011

Deep Water

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Brother DR510 20000 Page Drum Unit

  • Laser Toner Drum Unit
  • Genuine Original
  • Brother OEM Replacement
Captain Sam Cahill (Maguire) is embarking on his fourth tour of duty, leaving behind his beloved wife (Portman) and two daughters. When Sam’s Blackhawk helicopter is shot down in the mountains of Afghanistan, the worst is presumed, leaving an enormous void in the family. Despite a dark history, Sam’s charismatic younger brother Tommy (Gyllenhaal) steps in to fill the family void.Screenwriter David Benioff (The 25th Hour) didn't have to do much to relocate Brothers from Denmark to America. The story remains the same: Captain Sam Cahill (Tobey Maguire) loves his family, but he's equally devoted to his career. Just as his ne'er-do-well brother, Tommy (Jake Gyllenhaal), exits prison, where he did time for robbery, the Marines deploy Sam to Afghanistan. Tommy starts looking in on his wary sister-in! -law, Grace (Natalie Portman), but then Sam's helicopter crashes in the mountains, and the military informs Grace that her husband has died. Unbeknownst to the Cahill clan, the Taliban has taken Sam hostage and tortures him to elicit information. Sam resists, but his colleague caves, leading to an unthinkable act. Back in New Mexico, Grace and Tommy grow closer, stopping just short of a full-blown affair (in Susanne Bier's original, they take the plunge). Even Tommy's disapproving Vietnam vet father, Hank (Sam Shepard), sees his son in a new light after Tommy renovates Grace's kitchen. But when Sam is rescued by his company, he returns a broken man and is convinced that his wife has fallen in love with his brother. Even his daughters are afraid of him (Bailee Madison impresses as the eldest). As in Bier's film, Jim Sheridan (In America) elevates redemption and forgiveness over tragedy and loss, and his well-meaning remake gets off to a solid start, but it loses ste! am by the end. Brothers offers a compelling scenario,! but the telling is too overstated to capture the full heartbreak of the situation. --Kathleen C. Fennessy

Stills from Brothers (Click for larger image)



When Jared Dillian joined Lehman Brothers in 2001, he fulfilled a life-long dream to make it on Wall Streetâ€"but he had no idea how close to the edge the job would take him.

Like Michael Lewis’s classic Liar’s Poker, Jared Dillian’s Street Freak takes readers behind the scenes of the legendary Lehman Brothers, exposing its outrageous and often hilarious corporate culture.

In this ultracompetitive Ivy League world where men would flip over each other’s ties to check out the labels (also known as the “Lehman Handshake”), Dillian was an outsider as an ex-military, working-class guy in a Men’s Wearhouse suit. But he was scrappy and determined; in interviews he told potential managers that, “Nobody can work harder than me. Nobody is willing to put in the hours I will put in. I am insane.” As it turned out, on Wall Street insanity is not an undesirable qualit! y.

Dillian rose from green associate, checking IDs at the e! ntrance to the trading floor in the paranoid days following 9/11, to become an integral part of Lehman’s culture in its final years as the firm’s head Exchange-Traded Fund (ETF) trader. More than $1 trillion in wealth passed through his hands, but at the cost of an untold number of smashed telephones and tape dispensers. Over time, the exhilarating and explosively stressful job took its toll on him. The extreme highs and lows of the trading floor masked and exacerbated the symptoms of Dillian’s undiagnosed bipolar and obsessive compulsive disorders, leading to a downward spiral that eventually landed him in a psychiatric ward.

Dillian put his life back together, returning to work healthier than ever before, but Lehman itself had seemingly gone mad, having made outrageous bets on commercial real estate, and was quickly headed for self-destruction.

A raucous account of the final years of Lehman Brothers, from 9/11 at its World Financial Center offices through the firm’s ! bankruptcy, including vivid portraits of trading-floor culture, the financial meltdown, and the company’s ultimate collapse, Street Freak is a raw, visceral, and wholly original memoir of life inside the belly of the beast during the most tumultuous time in financial history. In his electrifying and fresh voice, Dillian takes readers on a wild ride through madness and back, both inside Lehman Brothers and himself.Drum Cartridge - 20000 Page

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The Mistress of Spices

  • Tilo runs a spice store in San Francisco and has a magical gift of seeing into her customers' lives and desires. But, when a handsome, enigmatic American with a secret past enters her store, Tilo s own desires are stirred for the first time. Format: DVD MOVIE Genre: FOREIGN Rating: PG-13 Age: 796019802741 UPC: 796019802741 Manufacturer No: 80274
A clash of cultures in the spirit of MY BIG FAT GREEK WEDDING, this modern musical retelling of Jane Austen's classic PRIDE AND PREJUDICE is a hilariously entertaining tale of one girl's unlikely search for love! Sparks immediately fly as a love/hate relationship ignites between a small-town beauty (international star Aishwarya Rai) and a wealthy American (Martin Henderson -- THE RING, TORQUE) who's visiting her modest Indian village. In a swirl of music, dance, and comic misunderstandings, these opposites continue to attract and repel each other! in a riotous romance that spans three continents! Featuring Naveen Andrews (TV's LOST, THE ENGLISH PATIENT) and a memorable performance from top recording artist Ashanti -- love will eventually conquer all in this acclaimed treat from the director of BEND IT LIKE BECKHAM!The exotic sounds, vibrant colors, and ecstatic dancing of Bollywood collide with the cunning storytelling of Jane Austen in Bride & Prejudice (from the writer/director of previous East/West hybrid Bend It Like Beckham). When smart, outspoken Lalita Bakshi (Indian beauty Aishwarya Rai) meets Will Darcy (Martin Henderson, The Ring), she finds this American businessman arrogant and conceited--but because his best friend is falling in love with her sister, Lalita agrees to travel around India with Darcy. On the trip, a childhood friend of Darcy's named Johnny (Daniel Gillies, Spider-Man 2) both tickles Lalita's fancy and confirms her worst suspicions about Darcy. But as events unfo! ld, Lalita wonders if she hasn't misjudged Darcy--and Johnny. ! Austen f ans will be find much to criticize; Bride & Prejudice transplants the basic plot of Pride & Prejudice to modern India, but not much of Austen's sly wit or her insights about character and society have survived the translation. Henderson, though handsome, lacks the intimidating charisma of previous Mr. Darcys (including Laurence Olivier and Colin Firth). Thank goodness for the delightful Rai, here making her first all-English-language movie. She commands the screen like a true star (unsurprisingly, she's hugely popular in India, and previously starred in a more homegrown Austen adaptation: I Have Found It, based on Sense & Sensibility). For Western audiences unfamiliar with the freewheeling exuberance of Indian movies--wild musical numbers can break out at almost any moment--Bride & Prejudice offers an engaging taste of this fantastic cinematic style. --Bret FetzerThe exotic sounds, vibrant colors, and ecstatic dancing of Bollywood co! llide with the cunning storytelling of Jane Austen in Bride & Prejudice (from the writer/director of previous East/West hybrid Bend It Like Beckham). When smart, outspoken Lalita Bakshi (Indian beauty Aishwarya Rai) meets Will Darcy (Martin Henderson, The Ring), she finds this American businessman arrogant and conceited--but because his best friend is falling in love with her sister, Lalita agrees to travel around India with Darcy. On the trip, a childhood friend of Darcy's named Johnny (Daniel Gillies, Spider-Man 2) both tickles Lalita's fancy and confirms her worst suspicions about Darcy. But as events unfold, Lalita wonders if she hasn't misjudged Darcy--and Johnny. Austen fans will be find much to criticize; Bride & Prejudice transplants the basic plot of Pride & Prejudice to modern India, but not much of Austen's sly wit or her insights about character and society have survived the translation. Henderson, though handsome, lacks! the intimidating charisma of previous Mr. Darcys (including L! aurence Olivier and Colin Firth). Thank goodness for the delightful Rai, here making her first all-English-language movie. She commands the screen like a true star (unsurprisingly, she's hugely popular in India, and previously starred in a more homegrown Austen adaptation: I Have Found It, based on Sense & Sensibility). For Western audiences unfamiliar with the freewheeling exuberance of Indian movies--wild musical numbers can break out at almost any moment--Bride & Prejudice offers an engaging taste of this fantastic cinematic style. --Bret FetzerStudio: Tcfhe/mgm Release Date: 03/31/2009 Rating: Pg13(Romance) Tilo runs a spice store in San Francisco and has a magical gift of seeing into her customers' lives and desires. But, when a handsome, enigmatic American with a secret past enters her store, Tilo’s own desires are stirred for the first time.
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Robert Graham Men's Alamo Sport Shirt, Purple, Medium

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The Window Facing Winter

  • ISBN13: 9781930974371
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
A young working-class wife and mother unlocks a freedom within her heart that she never expected. Don't miss this critically-acclaimed, award-winning romance.The beautiful and wonderfully named Giovanna Mezzogiorno joins the list of soulful Italian actresses with Facing Windows, a pleasant cinematic fancy. Her character is a married Mom in an ordinary apartment, whose life is affected by two things: her fascination with the handsome man who lives across the courtyard, and the sudden arrival in her home of an elderly amnesiac (played by the late Massimo Girotti)--a well-dressed man found walking on the street, dazed and lost. Turkish-born director Ferzan Ozpetek (Steam: The Turkish Bath)! makes this simultaneously a slice of life and a vaguely fantastical situation. It probably all works out a little too neatly, but the unhurried pace and deep sympathy Ozpetek displays toward his main characters is refreshing. And when in doubt, he points the camera at the face of La Mezzogiorno, which solves all problems. --Robert HortonAustralia released, PAL/Region 4 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: Italian ( Dolby Digital 5.1 ), English ( Subtitles ), ANAMORPHIC WIDESCREEN (1.78:1), SPECIAL FEATURES: Behind the scenes, Featurette, Filmographies, Interactive Menu, Photo Gallery, Scene Access, Trailer(s), SYNOPSIS: Young married couple Giovanna (Giovanna Mezzogiorno) and Filippo (Filippo Nigro) have been married long enough to have become almost completely jaded by their lots in life, with most of their individual aspirations having been set aside some time ago. As! their marriage begins to fall apart, the two encounter a stra! nge old man (Massimo Girotti) who calls himself Simone since he can't seem to recall his real name or much about his past history. Filippo brings the man home to stay with them, which initially irritates Giovanna. Over time, she gradually befriends the confused old man and eventually notices a tattoo on his arm indicative of his being a WWII Holocaust survivor. Taking 'Simone' to an old Roman ghetto, she helps him remember his name (Davide) and his time spent in that very ghetto -- which includes recalling the very painful memory of his lover Simone's capture and murder at the hands of the Nazis. Meanwhile, Giovanna has been spending her free time impulsively peeping across the street at her attractive neighbor Lorenzo (Raoul Bova) -- who in turn has been spying on her. Giovanna is thus forced to decide between Filippo and Lorenzo, as well as possibly realizing a long dormant professional dream that her new friend Davide may be able to help her undertake. SCREENED/AWARDED AT: Dav! id Donatello Awards, ...Facing Windows ( La Finestra di fronte )Import exclusive soundtrack to multi-national romantic drama, originally issued in 2003 & just released on DVD in the U.S., features the score by Gianfilippo Corticelli & one track, 'Gocce Di Memoria', performed by Giorgia. 17 tracks.VHS movie Italian with English SubtitlesPoetry. "In THE WINDOW FACING WINTER, the urgency of the beautiful andsometimes murderous urban landscape, set alongside the seductive, intricateoasis of the Japanese garden, renders possible a vision into 'sliver ofthe absolute.' With unflinching accuracy, LaFemina delivers a sacred, ifmomentary, world, laying bare its essential loneliness, its obstinatebeauty" --Robin Behn.
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Going Shopping

  • Holly G. (Victoria Foyt) is a successful clothing designer with her own boutique who, in the course of a tumultuous Mother's Day weekend, is confronted with deceit, elation, desperation, kleptomania, rebellion, addiction and passion while under pressure to pull off the biggest sale of the year. Henry Jaglom's new movie looks at the unique role that clothing and shopping plays in the lives
Going Shopping portrays one of the most familiar family activities: the trip to the supermarket. Readers follow Mum, her two young daughters, and the family dog as they pile into the car, drive to the grocery, and do the weekly shopping. As in all her books, Garland’s talent for observation turns a mundane experience into an occasion for fun. The minimal text serves as a starting point for Garland’s witty, wonderfully detailed illustrations that engage and delight readers of all ages.
Th! is imaginatively designed padded cloth book takes toddlers shopping-to the supermarket, the florist, a toy store, clothing store, and several other shops before bringing baby home on the front and back covers. The store on each cheerfully illustrated page features a padded cloth item attached to the page with a Velcro tab, and which toddlers can pull off the page and insert in a tiny cloth shopping bag that comes with the book. For example, a miniature cloth rocking horse can come off the toy store's shelf and go into the bag-and a carton of milk can be removed from the supermarket counter. Then, back home, a refrigerator door opens and the milk carton attaches to a Velcro tab inside. Meanwhile, the rocking horse attaches to the bedroom floor, and a shirt from the clothing store can go into a dresser drawer. When it's time for kids to put the book away, it can be closed up tight with Velcro tables and a sturdy zipper, then put back into its vinyl carrying case. That soft tr! ansparent case features a snap to keep it shut and a cloth han! dle for carrying around. (Ages 2-5)No Description Available.
Genre: Feature Film-Drama
Rating: PG13
Release Date: 25-SEP-2007
Media Type: DVD
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The Alphabet Killer

  • A ten year old girl is found brutally murdered outside the small blue-collar city of Rochester, New York, and obsessed police detective Megan Paige (Eliza Dushku of BUFFY THE VAMPIRE SLAYER and DOLLHOUSE) suffers a mental breakdown while trying to solve the crime. But when the child-killings resume two years later, Megan s return to the investigation also brings back her own horrific hallucination
Between 1971 and 1973, three young girls, ages ten to eleven, were found sexually assaulted and slain near Rochester, New York. The girls all had double initials for their first and last names and were found dead in suburbs with names in which the first letter co-ordinated with the girls' initials. Two prime suspects later committed suicide. A third suspect, Kenneth Bianchi, went to California where he went on to become one of the infamous Hillside Stranglers, but to this day he insists he had nothi! ng to do with the so-called Double Initial, or Alphabet, murders. The crimes remain unsolved, but interest in the case was re-energised with the release of a fictionalised motion picture loosely based on the murders. This factual account, the first book fully devoted to the case, explores the crime and the ongoing investigation.Between 1971 and 1973, three young girls, ages ten to eleven, were found sexually assaulted and slain near Rochester, New York. The girls all had double initials for their first and last names and were found dead in suburbs with names in which the first letter co-ordinated with the girls' initials. Two prime suspects later committed suicide. A third suspect, Kenneth Bianchi, went to California where he went on to become one of the infamous Hillside Stranglers, but to this day he insists he had nothing to do with the so-called Double Initial, or Alphabet, murders. The crimes remain unsolved, but interest in the case was re-energised with the release o! f a fictionalised motion picture loosely based on the murders.! This fa ctual account, the first book fully devoted to the case, explores the crime and the ongoing investigation.Between 1971 and 1973, three young girls, ages ten to eleven, were found sexually assaulted and slain near Rochester, New York. The girls all had double initials for their first and last names and were found dead in suburbs with names in which the first letter co-ordinated with the girls' initials. Two prime suspects later committed suicide. A third suspect, Kenneth Bianchi, went to California where he went on to become one of the infamous Hillside Stranglers, but to this day he insists he had nothing to do with the so-called Double Initial, or Alphabet, murders. The crimes remain unsolved, but interest in the case was re-energised with the release of a fictionalised motion picture loosely based on the murders. This factual account, the first book fully devoted to the case, explores the crime and the ongoing investigation.A ten year old girl is found brutally murdered ou! tside the small blue-collar city of Rochester, New York, and obsessed police detective Megan Paige (Eliza Dushku of BUFFY THE VAMPIRE SLAYER and DOLLHOUSE) suffers a mental breakdown while trying to solve the crime. But when the child-killings resume two years later, Megan’s return to the investigation also brings back her own horrific hallucinations.  Even if she can prove a ‘double initial’ connection to the slayings, will she hang onto her sanity long enough to catch a psychopath? Cary Elwes (SAW), Michael Ironside (STARSHIP TROOPERS), Bill Moseley (THE DEVIL’S REJECTS), Carl Lumbly (ALIAS) and Academy Award® winner Timothy Hutton co-star in this chilling thriller directed by Rob Schmidt.In the spirit of suspense films and television shows that focus on the sleuth’s attempt to make something out of senseless violence, Alphabet Killer is less about the murders it details than about the detective,! Megan Paige (Eliza Dushku of Buffy the Vampire Slayer), who suffers mentally for studying brutality. Though opening scenes show young girls slayed at various wooded Rochester, New York crime scenes, the film quickly digresses into Megan’s stressed relationship with her co-detective lover, Kenneth Shine (Cary Elwes), who watches her obsession with the case spiral out of control. As murders continue, Megan gets psychic leads and is haunted by the ghosts of the wrongly deceased, but cannot solve the case. Megan’s diagnosis as a schizophrenic complicates matters greatly, and elevates the film into deeper story, especially when one senses, through subtle filmic clues, the creepiness of Megan’s therapist, Richard Ledge (Timothy Hutton). Some silly, dramatized enactments of mental illness on Dushku’s part do not help convince the viewer through fine acting, though one may be willing to look past this in hopes for pending potential spookiness. And the conundrum posed by Megan in her therapy group is engaging: manic peop! le do often excel due to intuition, yet it is their ability to experience the world differently that gets them into trouble. Although the ghosts hallucinations are unconvincing, and Dushku probably could have used more research before she took the role, Alphabet Killer captivates because it shows how convoluted layers of reality can confuse even the sharpest detective. The disturbing thing about Alphabet Killer is not the film itself but the idea behind it: that the majority of what we know and trust is illusory, and that truth is discovered best through madness. --Trinie Dalton

Stills from The Alphabet Killer (Click for larger image)



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