Wednesday, August 3, 2011

Ana Beatriz Barros HD 11x17 Photo Poster Sexy Model #03 HDQ

Tuesday, August 2, 2011

Green Lantern Play-a-Sound Book

  • 8-button sound module attached to book.
  • Children press buttons to add sound effects to story adapted from 2011 Warners Bros. movie Green Lantern.
  • Recommended for children ages 3 years and older.
  • Sound module powered by 3 AG-13 button cell batteries (included).

In 1959 South Korea was mired in poverty. By 1979 it had a powerful industrial economy and a vibrant civil society in the making, which would lead to a democratic breakthrough eight years later. The transformation took place during the years of Park Chung Hee’s presidency. Park seized power in a coup in 1961 and ruled as a virtual dictator until his assassination in October 1979. He is credited with modernizing South Korea, but at a huge political and social cost.

South Korea’s political landscape under Park defies easy categorization. The state was predatory yet technocratic, reform-minded yet quic! k to crack down on dissidents in the name of political order. The nation was balanced uneasily between opposition forces calling for democratic reforms and the Park government’s obsession with economic growth. The chaebol (a powerful conglomerate of multinationals based in South Korea) received massive government support to pioneer new growth industries, even as a nationwide campaign of economic shock therapyâ€"interest hikes, devaluation, and wage cutsâ€"met strong public resistance and caused considerable hardship.

This landmark volume examines South Korea’s era of development as a study in the complex politics of modernization. Drawing on an extraordinary range of sources in both English and Korean, these essays recover and contextualize many of the ambiguities in South Korea’s trajectory from poverty to a sustainable high rate of economic growth.

The Beginning Level texts and workbooks are the first of a four- level series (Beginning 1 and 2, Intermediat! e 1 and 2, Advanced Intermediate, and Advanced) developed co! llaborat ively by leading classroom teachers and linguists of Korean. All series volumes have been developed in accordance with performance-based principles and methodology-learner-centeredness, contextualization, use of authentic materials, function/task-orientedness, balance between skill getting and skill using, and integration of speaking, listening, reading, writing, and culture. Grammar points are systematically introduced with simple but adequate explanations and abundant examples, exercises, and drills. Each situation/topic-based lesson of the main texts consists of two or three model dialogues, narration, new words and expressions, pronunciation notes, vocabulary notes, culture, grammar, task/function, and English translation of dialogues. The workbooks provide students with extensive skill-using activities based on the skills learned from the main texts. Integrated Korean is a project of the Korean Language Education and Research Center (KLEAR) wit! h the support of the Korea Foundation. In addition to the four-level textbooks and workbooks, forthcoming volumes include instructor's manuals, Chinese Character Studies, Korean Composition, Selected Readings in Korean, Readings in Modern Korean Literature, Korean Language in Culture and Society, and A Dictionary of Korean Grammar and Usage.Studio: Virgil Films And Entertai Release Date: 01/26/2010 Run time: 126 minutes
Now available through Lippincott Williams & Wilkins, this new atlas shows readers how to use endoscopic devices to diagnose and treat bile duct disorders. All aspects of cholangioscopy are discussed, from techniques, the normal biliary tree, and benign and malignant bile-duct lesions...to therapeutic interventions and complications. Radiologists, gastroenterologists, surgeons, and even oncologists will count this as a "must-have" clinical resource.

The Green Lantern Play-a-Sound Book comes with an attached eight-button audio mo! dule that enables children to add sound effects and music to a! story a dapted from the Warner Brothers movie Green Lantern, released in June 2011. The book, which tells about DC Comics' Hal Jordan and the Green Lantern Corps fighting evil all over the universe, is designed for children ages 3 and older.

Children match icons on the book's pages to the eight buttons to activate these sounds:

  • Three tunes, including an evil-sounding ditty, an ethereal refrain, and a major and minor-key tune
  • Fanfare
  • Glowing, pulsing ring sound effect
  • Falling sound effect
  • Crash
  • Fast Doppler-effect zoom

The Green Lantern Play-a-Sound Book features full-color illustrations and a sturdy hard cover with a foil-embossed cutout. The book conforms to the specifications for toy safety of ASTM F963-08. Three replaceable long-life AG-13 button cell batteries that power the sound module are included.


Monday, August 1, 2011

Tin Cup Movie Poster (11 x 17 Inches - 28cm x 44cm) (1996) Style A -(Kevin Costner)(Don Johnson)(Rene Russo)(Richard "Cheech" Marin)(Linda Hart)(Dennis Burkley)

  • Tin Cup Poster Mini Promo (11 x 17 Inches - 28cm x 44cm) Style A
  • The Amazon image is how the poster will look; If you see imperfections they will also be in the poster
  • Mini Posters are ideal for customizing small spaces; Same exact image as a full size poster at half the cost
  • Size is provided by the manufacturer and may not be exact
  • Packaged with care and shipped in sturdy reinforced packing material
Thrill-seeking billionaire Thomas Crown (Brosnan) loves nothing more than courting disasterand winning! So when his world becomes too stiflingly safe, he pulls off his boldest stunt ever: stealing a priceless paintingin broad daylightfrom one of Manhattan's most heavily guarded museums. But his post-heist excitement soon pales beside an even greater challenge: Catherine Banning (Russo). A beautiful insurance investigator hired to retrieve the artwork, Catherine's ! every bit as intelligent, cunning and hungry for adventure as he is. And just when Thomas realizes he's finally met his match, she skillfully leads him into a daring game of cat and mouse that's more intoxicating and dangerous than anything either of them has ever experienced before!For the Hollywood remake rule, which dictates that an update of an older film be inferior to the original in almost every aspect, The Thomas Crown Affair stands as a glorious exception. The original 1968 film, starring a dapper Steve McQueen and a radiant Faye Dunaway, was a diverting pop confection of mod clothes and nifty break-ins, but not much more. John McTiernan's new version, though, cranks up the entertainment factor to mach speed, turning what was a languid flick into a high-adrenaline caper romance. Thomas Crown (Pierce Brosnan) is now a man of industry who likes to indulge in a little high-priced art theft on the side; Catherine Banning (Rene Russo) is the insurance investigato! r determined to get on his tail in more ways than one. If you'! re think ing cat-and-mouse game, think again--it's more like cat vs. smarter cat, as both the thief and the investigator try to outwit each other and nothing is off-limits, especially after they start a highly charged love affair that's a heated mix of business and pleasure.

What makes this Thomas Crown more enjoyable than its predecesor is McTiernan's attention to detail in both the set action pieces (no surprise from the man who helmed Die Hard with precision accuracy) and the developing romance, the witty and intelligent script by Leslie Dixon (she wrote the love scenes) and Kurt Wimmer (he wrote the action scenes), and, most of all, its two stunning leads (both over 40 to boot), combustible both in and out of bed. Brosnan, usually held prisoner in the James Bond straitjacket, lets loose with both a relaxed sensuality and a comic spirit he's rarely expressed before. The film, however, pretty much belongs to Russo, who doesn't just steal the spotlight, but ! bends it to her will. Beautiful, stylish, smart, self-possessed, incredibly sexy, she's practically a walking icon; it's no wonder Crown falls for her hook, line, and sinker. With Denis Leary as a police detective smitten with Russo, and Faye Dunaway in a throwaway but wholly enjoyable cameo as Brosnan's therapist. --Mark EnglehartThrill-seeking billionaire Thomas Crown (Brosnan) loves nothing more than courting disasterand winning! So when his world becomes too stiflingly safe, he pulls off his boldest stunt ever: stealing a priceless paintingin broad daylightfrom one of Manhattan's most heavily guarded museums. But his post-heist excitement soon pales beside an even greater challenge: Catherine Banning (Russo). A beautiful insurance investigator hired to retrieve the artwork, Catherine's every bit as intelligent, cunning and hungry for adventure as he is. And just when Thomas realizes he's finally met his match, she skillfully leads him into a daring game of cat a! nd mouse that's more intoxicating and dangerous than anything ! either o f them has ever experienced before!For the Hollywood remake rule, which dictates that an update of an older film be inferior to the original in almost every aspect, The Thomas Crown Affair stands as a glorious exception. The original 1968 film, starring a dapper Steve McQueen and a radiant Faye Dunaway, was a diverting pop confection of mod clothes and nifty break-ins, but not much more. John McTiernan's new version, though, cranks up the entertainment factor to mach speed, turning what was a languid flick into a high-adrenaline caper romance. Thomas Crown (Pierce Brosnan) is now a man of industry who likes to indulge in a little high-priced art theft on the side; Catherine Banning (Rene Russo) is the insurance investigator determined to get on his tail in more ways than one. If you're thinking cat-and-mouse game, think again--it's more like cat vs. smarter cat, as both the thief and the investigator try to outwit each other and nothing is off-limits, especiall! y after they start a highly charged love affair that's a heated mix of business and pleasure.

What makes this Thomas Crown more enjoyable than its predecesor is McTiernan's attention to detail in both the set action pieces (no surprise from the man who helmed Die Hard with precision accuracy) and the developing romance, the witty and intelligent script by Leslie Dixon (she wrote the love scenes) and Kurt Wimmer (he wrote the action scenes), and, most of all, its two stunning leads (both over 40 to boot), combustible both in and out of bed. Brosnan, usually held prisoner in the James Bond straitjacket, lets loose with both a relaxed sensuality and a comic spirit he's rarely expressed before. The film, however, pretty much belongs to Russo, who doesn't just steal the spotlight, but bends it to her will. Beautiful, stylish, smart, self-possessed, incredibly sexy, she's practically a walking icon; it's no wonder Crown falls for her hook, line, and sinker. With! Denis Leary as a police detective smitten with Russo, and Fay! e Dunawa y in a throwaway but wholly enjoyable cameo as Brosnan's therapist. --Mark EnglehartTin Cup Poster (11 x 17 Inches - 28cm x 44cm) (1996) Style A reproduction poster print

CAST: Kevin Costner, Don Johnson, Rene Russo, Richard "Cheech" Marin, Linda Hart, Dennis Burkley, Rex Linn, Lou Myers, Richard Lineback, Mickey Jones; DIRECTED BY: Ron Shelton; WRITTEN BY: Ron Shelton, John Norville; CINEMATOGRAPHY BY: Russell Boyd; MUSIC BY: William Ross. PRODUCER: Gary Foster, David Lester, Arnon Milchan, New Regency Pictures, Warner Bros.

Saturday, July 30, 2011

Detour (Eight Year Anniversary: Mel Gibson, sweet mel of success; faye dunaway, bokeem woodbine,olivia d'abo, elastica, linus roche, robin quivers)

Goa Movie Poster (11 x 17 Inches - 28cm x 44cm) (2010) Indian Style A -(Premgi Amaren)(Aravindar)(Piaa Bajpai)(Jai)(Melanie Marie)(Sampath Raj)

Friday, July 29, 2011

Barbara Schett Tennis Card

Laboratory

Thursday, July 28, 2011

Strip Search (Inspeção Geral), 2004, Import

  • Strip Search DVD
Sherry is a young woman with a history of drug abuse & emotional turmoil. Just out of prison she finds herself struggling against all odds to reconnect with her estranged 5-year-old daughter while trying to readjust to the outside world. Studio: Uni Dist Corp. (mca) Release Date: 01/23/2007 Starring: Maggie Gyllenhaal Brad William Henke Run time: 96 minutes Rating: RA disturbing film about a recovering drug addict trying to regain control of her life, Sherrybaby succinctly depicts what can happen when want and desire aren't offset by control. In this bleak indie film, Sherry Swanson (Maggie Gyllenhaal, Stranger Than Fiction, Secretary) has just been released from a three-year stint in prison. Dressed in her inappropriate uniform of a halter top and oh-so-high platform heels, she goes to brother's house to see her 5-year-old daughter, Lexie (Ryan Simp! kins). Sherry is determined to be a mother to her child, but without a home, job, or any other form of stability, she grows frustrated and jealous of her brother and sister-in-law's roles in Lexie's life. Tall and willowy, Gyllenhaal brings a sad desperation and simmering sexuality to the role. Sherry's middle-class childhood was a blur of sex and drugs, and she seems incapable of breaking out of that destructive trap. While the script by first-time feature film director Laurie Collyer isn't wholly original, the picture moves at a good pace, giving insight as to why Sherry's resigned to using sex to get what she wants. While the family secret doesn't come as a complete surprise, it is somewhat perplexing that no one addresses it. Ultimately, it's Gyllenhaal who makes you care about a character that most people would've given up on. --Jae-Ha KimLee Holloway (Maggie Gyllenhaal) has a few strikes against her when she applies for a secretarial position at the law office ! of E. Edward Grey (James Spader). At first the work seems quit! e normal but soon, in between typing, filing and coffee making, Lee and Mr. Grey embark on a more personal relationship together, crossing the lines of conduct that would give any human resource director the vapors!This kinky love story features a standout performance by Maggie Gyllenhaal, an offbeat young actress in her first starring role. Gyllenhaal plays Lee, a nervous girl who compulsively cuts herself, who gets a job as a secretary for Edward, an imperious lawyer (James Spader, an old hand at tales of perverse affection). Edward's reprimands for typos and spelling errors begin with mild humiliation, but as Lee responds to his orders--which are driven as much by his own anxieties and fears as any sense of order--the punishments escalate to spankings, shackles, and more. Secretary walks a fine line. It finds sly humor in these sadomasochistic doings without turning them into a gag, and it takes Lee and Edward's mutual desires seriously without getting self-right! eous or pompous. Certainly not a movie for everyone, but some people may be unexpectedly stirred up by this smart and steamy tale of repressed passion. --Bret FetzerHAPPY ENDINGS - DVD Movie"It's a comedy, sort of," a title card announces at the start of Happy Endings--just after Mamie (Lisa Kudrow) has been hit by a car. So it is, but talk about an unhappy beginning! Never fear, writer/director Don Roos will fulfill the promise of that title in several unexpected ways. The story then flashes back to 1983 for Mamie's life-altering encounter with her stepbrother. Mamie and Charley (Steve Coogan) will struggle with its consequences for the rest of the film. Does her teen pregnancy explain the fact that she became an abortion counselor or that he came out of the closet? Roos doesn't say, but nor does he judge. He loves his characters--foibles and all--in his ambitious, Altman-esque follow-up to the acerbic, yet heartfelt The Opposite of Sex. As before, ! Kudrow is the center around which the other plotlines revolve ! (and her uptight, yet likable Mamie couldn't resemble TV’s Phoebe less). In the end, though, Maggie Gyllenhaal's seductive Jude and Tom Arnold's sensitive Frank are Roos' most inspired creations. Their relationship is one of contemporary cinema's oddest and most touching. The happy ending for one will be real, the other imaginary, but everyone will earn the one they get. --Kathleen C. FennessyJames Spader and Maggie Gyllenhaal star in the dark comedy Secretary. Praised as “daring, funny and quirkily erotic!” (Glenn Kenny, PREMIERE) and “sexy and highly stylized” (GEAR magazine), Secretary is the story of Lee Holloway (Gyllenhaal), a young woman with a few strikes against her after a brief stay in a mental hospital, who accepts a secretarial position working at the law office of E. Edward Grey (Spader). The work seems normal at first, but somewhere between the typing, filing and coffee-making, Lee and her new boss cross the line of their professional relationship and! enter into a Human Resources nightmare!This kinky love story features a standout performance by Maggie Gyllenhaal, an offbeat young actress in her first starring role. Gyllenhaal plays Lee, a nervous girl who compulsively cuts herself, who gets a job as a secretary for Edward, an imperious lawyer (James Spader, an old hand at tales of perverse affection). Edward's reprimands for typos and spelling errors begin with mild humiliation, but as Lee responds to his orders--which are driven as much by his own anxieties and fears as any sense of order--the punishments escalate to spankings, shackles, and more. Secretary walks a fine line. It finds sly humor in these sadomasochistic doings without turning them into a gag, and it takes Lee and Edward's mutual desires seriously without getting self-righteous or pompous. Certainly not a movie for everyone, but some people may be unexpectedly stirred up by this smart and steamy tale of repressed passion. --Bret F! etzerJohn C. Reilly, Diego Luna and Maggie Gyllenhaal navi! gate the con-or-be-conned world of the L.A. grift in a clever caper directed by Gregory Jacobs and produced by Jacobs, George Clooney and Steven Soderbergh. A $750,000 one-night score awaits Richard and Rodrigo if they can flimflam an antique-currency collector (Peter Mullan) - a ruse soon packed with more twists than a box of pretzels. For suspense, surprise and a wow ending, catch this Criminal!Richard Gaddis (John C. Reilly) catches young Rodrigo (Diego Luna) conning some casino waitresses out of chump change and decides the guy is just the right chump to help him run other local scams. The slyest thing about this diverting remake of the 2000 Argentinian heist flick Nine Queens is, in fact, how much everybody seems to have a scam in the works--there isn’t a single honest soul in sinful, sunbeaten Los Angeles. Richard and Rodrigo soon get caught up in a big swindle concerning some counterfeit currency, a game that ensnares Gaddis’ angrily estranged sister Valerie (Maggi! e Gyllenhaal), the concierge of the hotel that’s hosting the guys’ main mark (Peter Mullan, coolly brutish). What happens next isn’t really anything new--The Sting, anyone?--and the requisite final twist might not hold up to closer inspection, but director Gregory Jacobs knows how to lie back and it keep it gliding affably along (he served as an assistant director on nearly all of Steven Soderbergh’s films). The performers all hook into the low-key vibe: Reilly’s schlub persona fits snugly into his small-time grifter role, while Luna and Gyllenhaal seem more simmering and sexy in each new shot. The movie is as entertaining and inessential as L.A. itself. --Steve WieckingHigh quality import edition, manufactured in Brazil . Sound in English with Optional Portuguese subtitles ,easy to turn off. -~~~~Strip Search follows several parallel stories examining personal freedoms vs. national security in the aftermath of 9/11; two main subplots involve an Amer! ican woman detained in China and an Arab man detained in New Y! ork City