Friday, September 30, 2011

Trick 'r Treat

  • The doorbell rings, the cry goes out: Trick R Treat! But, wait. What s actually going on during this ghostly All Hallows Eve? Something eerie and unexpected. Something splattered and spooky. Something that brings ghouls, vampires and werewolves into the night. Answer the door a shocking surprise awaits. Format: DVD MOVIE Genre: HORROR Rating: R Age: 085391176190 UPC: 
There's something in this house...Something ancient and dark that remains still, hidden and silent. It can only wait, having been concealed in the shadows for years. In fact, its milieu is darkness. Only in it can it show itself and move. It even takes its name: DARKNESS. It's lived here since someone tried to call it, more than forty years ago. Because this house hides a secret, a terrible past, an inconceivably evil act. Seven children, faceless people, a circle that must be completed. And blood, lots of blood... But somet! hing went wrong. One of the children got away. The circle wasn't completed. That's why what lives here isn't finished. It's just waiting...It tries to carry out what it couldn't before, making plans in the shadows, to become complete, to be, to exist. A new family has just moved into the house. A small child. An unstable father capable of losing his temper at any time. A perfect target. The right place at the right time. The pieces only have to be put in place. And then wait. Maybe the family's daughter will be able to discover the truth; the dark secret of the past, the sinister conspiracy, the truth about what threatens them. Why is the father getting worse? What is her little brother afraid of? Why doesn't her mother listen to her? And why do the lights keep going out? It could be that nothing happens by chance, that everything has been worked out from the start. A devilish plan, precise and exact like a time-bomb. Her father's illness, the house, the circles, the childr! en. Perhaps she can foresee darkness' master stroke of play an! d the in evitable destiny that is closing in on her family. But maybe it's too late....A couple on the verge of a nasty divorce attempt to sell their empty love nest and move on with their lives, separately. After a successful open house, they are horrified to discover, days later, that a potential buyer didn’t leave their home. While Alice is being held captive in the basement, the unannounced houseguest moves in upstairs. She senses her capture is being kept a rebellious secret. She knows her only way out, if she can only get out alive.

Stills from Open House (Click for larger image)

With a True Blood-like poster featuring portraits of Anna Paquin and Stephen Moyer hovering in front of a haunted house, one may mistakenly expect a vampire tale starring this popular horror-series couple. However, Open House, written and directed by Anna's brother, Andrew Paquin, is a far cry from the hit TV series. Rather, it is a slow-paced horror film in which couple Josh (Moyer) and Alice (Rachel Blanchard) try to sell their home to prepare ! for divorce but encounter a hazard in the form of psychotic co! uple Dav id (Brian Geraghty) and Lila (Tricia Helfer), who steal the home and move right in, with deadly results. In fact, Paquin, as Alice's friend Jennie, and Moyer have mere cameos in Open House. The bulk of the plot is devoted to David's conundrum as Alice struggles to stay alive in the basement. While Open House is not overly gory, there are bloody moments. Overall, it is no Texas Chainsaw Massacre, meaning that the film is not about gore in itself. The film is primarily a psychological investigation of a man who is torn between torturing and killing. This narrative has created some rich horror film territory--see any of Dario Argento's films, such as Opera--but Open House mines no new approach. A couple of odd, funny moments, like when David offers Alice a sandwich while he gets out his laptop to work despite her bruised, defeated appearance, hint at the contemporary edge, an ennui, that this film tries so hard to achieve. But it is mostly a f! luffy rehash of a story that horror films can only pull off if they have either style or script going for them, not to mention a captivating criminal character. Open House lacks engaging characters or original vision. For a stronger horror film along similar lines, check out Terribly Happy, a Danish movie with enough plot twists and curve balls that the crimes perpetrated convey not only dark humor but also a deeper social message. --Trinie DaltonA FAMILY OF ORPHANED GEESE WHO LOST THEIR WAY. A 14 YEAR OLD KIDWHO WILL LEAD THEM HOME. TO ACHIEVE THE INCREDIBLE, YOU HAVE TO ATTEMPT THE IMPOSSIBLE.There are some filmmaking teams that invariably bring out the best in each other, and that's definitely the case with director Carroll Ballard and cinematographer Caleb Deschanel. They previously collaborated on The Black Stallion and Never Cry Wolf, and Fly Away Home is their third family film that deserves to be called a classic. Inspired ! by Bill Lishman's autobiography, the movie tells the story of ! a 13-yea r-old girl (Anna Paquin) who goes to live with her estranged, eccentric father (Jeff Daniels) following the death of her mother. At first she's withdrawn and reclusive, but finds renewed happiness when she adopts an orphaned flock of baby geese and, later, teaches them to migrate using an ultralight. Sensitively directed and stunningly photographed, the movie has flying sequences that are nothing short of astonishing, and Daniels and Paquin (Oscar winner for The Piano) make a delightful father-daughter duo. (Ironically, the digital video disc is not available in widescreen format, but the image quality is brilliant.) --Jeff ShannonDustin Hoffman presents Diane Lane (MURDER AT 1600, JACK), Liev Schreiber (SPHERE, SCREAM I&II), and Viggo Mortensen (A PERFECT MURDER, THE LORD OF THE RINGS) in a provocative and sensual story about one woman's personal sexual revolution! It's the summer of 1969 and Pearl (Lane) is spending yet another vacation with her family when s! he realizes that the freedom of the times is passing her by. Following a chance meeting with a sexy, free-spirited young man (Mortensen), Pearl is soon doing the unthinkable: having a daring, passionate affair! Also starring Academy Award(R)-winner Anna Paquin (Best Supporting Actress, THE PIANO, 1993; SHE'S ALL THAT) in a powerful motion picture that's been called one of the year's best -- Pearl must ultimately decide between the love of her husband and children ... or the lure of her newfound desires!Although its tale of marital crisis unfolds a bit too cleanly, A Walk on the Moon--which was coproduced by Dustin Hoffman--offers a welcome relief from the juvenile assault of skull-throbbing blockbusters. The story is gently involving, the characters are authentic, and, best of all, Diane Lane is given a chance to show why she's one of the most genuine and underrated actresses of her generation. Here she plays Pearl Kantrowitz, a devoted housewife on a routine vacati! on in the Catskills with her TV repairman husband Marty (Liev ! Schreibe r), 14-year-old daughter (Anna Paquin), and rambunctious younger son (Tovah Feldshuh).

It's the summer of 1969. Neil Armstrong has made his "one small step for man," Woodstock is about to happen nearby (leading to a barely plausible dramatic coincidence), and while her husband is away on business, Pearl is cautiously receptive to the seductions of "the blouse man" (Viggo Mortensen), a hippie salesman who offers the adventure and passion that Pearl sacrificed to young pregnancy and marriage. Once the stage for infidelity is set, A Walk on the Moon progresses predictably, but first-time screenwriter Pamela Gray stays true to the emotions of her characters, and actor Tony Goldwyn (making a smooth directorial debut) maintains precisely the right tone to downplay most of the movie's dramatic clichés. Add to this a sharp dynamic between Lane and Paquin, whose performances create a substantial mother-daughter relationship. Graced by stolen moments and fleeting expressi! ons that speak volumes, this unassuming little film is eminently worthwhile. --Jeff ShannonDustin Hoffman presents Diane Lane (MURDER AT 1600, JACK), Liev Schreiber (SPHERE, SCREAM I&II), and Viggo Mortensen (A PERFECT MURDER, THE LORD OF THE RINGS) in a provocative and sensual story about one woman's personal sexual revolution! It's the summer of 1969 and Pearl (Lane) is spending yet another vacation with her family when she realizes that the freedom of the times is passing her by. Following a chance meeting with a sexy, free-spirited young man (Mortensen), Pearl is soon doing the unthinkable: having a daring, passionate affair! Also starring Academy Award(R)-winner Anna Paquin (Best Supporting Actress, THE PIANO, 1993; SHE'S ALL THAT) in a powerful motion picture that's been called one of the year's best -- Pearl must ultimately decide between the love of her husband and children ... or the lure of her newfound desires!Although its tale of marital crisis unfolds a ! bit too cleanly, A Walk on the Moon--which was coprodu! ced by D ustin Hoffman--offers a welcome relief from the juvenile assault of skull-throbbing blockbusters. The story is gently involving, the characters are authentic, and, best of all, Diane Lane is given a chance to show why she's one of the most genuine and underrated actresses of her generation. Here she plays Pearl Kantrowitz, a devoted housewife on a routine vacation in the Catskills with her TV repairman husband Marty (Liev Schreiber), 14-year-old daughter (Anna Paquin), and rambunctious younger son (Tovah Feldshuh).

It's the summer of 1969. Neil Armstrong has made his "one small step for man," Woodstock is about to happen nearby (leading to a barely plausible dramatic coincidence), and while her husband is away on business, Pearl is cautiously receptive to the seductions of "the blouse man" (Viggo Mortensen), a hippie salesman who offers the adventure and passion that Pearl sacrificed to young pregnancy and marriage. Once the stage for infidelity is set, A Walk on the! Moon progresses predictably, but first-time screenwriter Pamela Gray stays true to the emotions of her characters, and actor Tony Goldwyn (making a smooth directorial debut) maintains precisely the right tone to downplay most of the movie's dramatic clichés. Add to this a sharp dynamic between Lane and Paquin, whose performances create a substantial mother-daughter relationship. Graced by stolen moments and fleeting expressions that speak volumes, this unassuming little film is eminently worthwhile. --Jeff ShannonA couple on the verge of a nasty divorce attempt to sell their empty love nest and move on with their lives, separately. After a successful open house, they are horrified to discover, days later, that a potential buyer didn’t leave their home. While Alice is being held captive in the basement, the unannounced houseguest moves in upstairs. She senses her capture is being kept a rebellious secret. She knows her only way out, if she can only get out ali! ve.


Stills from Open H ouse (Click for larger image)



With a True Blood-like poster featuring portraits of Anna Paquin and ! Stephen Moyer hovering in front of a haunted house, one may mistakenly expect a vampire tale starring this popular horror-series couple. However, Open House, written and directed by Anna's brother, Andrew Paquin, is a far cry from the hit TV series. Rather, it is a slow-paced horror film in which couple Josh (Moyer) and Alice (Rachel Blanchard) try to sell their home to prepare for divorce but encounter a hazard in the form of psychotic couple David (Brian Geraghty) and Lila (Tricia Helfer), who steal the home and move right in, with deadly results. In fact, Paquin, as Alice's friend Jennie, and Moyer have mere cameos in Open House. The bulk of the plot is devoted to David's conundrum as Alice struggles to stay alive in the basement. While Open House is not overly gory, there are bloody moments. Overall, it is no Texas Chainsaw Massacre, meaning that the film is not about gore in itself. The film is primarily a psychological investigation of a ma! n who is torn between torturing and killing. This narrative ha! s create d some rich horror film territory--see any of Dario Argento's films, such as Opera--but Open House mines no new approach. A couple of odd, funny moments, like when David offers Alice a sandwich while he gets out his laptop to work despite her bruised, defeated appearance, hint at the contemporary edge, an ennui, that this film tries so hard to achieve. But it is mostly a fluffy rehash of a story that horror films can only pull off if they have either style or script going for them, not to mention a captivating criminal character. Open House lacks engaging characters or original vision. For a stronger horror film along similar lines, check out Terribly Happy, a Danish movie with enough plot twists and curve balls that the crimes perpetrated convey not only dark humor but also a deeper social message. --Trinie DaltonVowing to move to Canada if John Kerry loses the 2004 election, fervent liberal John Logue (Breckin Meyer) suddenly finds himsel! f with no job, no girlfriend... and no country! Making good on his "campaign promise," Logue finds a traveling companion--a sexy, mysterious woman named Chloe (Anna Paquin)--and heads north. But Chloe is not all that she seems, and their journey takes more twists and turns than either could have imagined in this romantic comedy that's as poignant as it is "disarmingly fun" (Martin Kelley, CinemATL).Blue State looks at just how far one young man will go to prove his point that the wrong candidate won the 2004 presidential elections. When John Kerry loses to George W. Bush, one of Kerry's campaign workers makes good on his promise to move to Canada if Bush is elected president. The disgruntled volunteer John (Breckin Meyer, Clueless) is a borderline slacker who most likely would've been too lazy to move anywhere if his friends didn't remind him about his promise. Then, too, there's the invitation from a Canadian dating service that promises him a bevy of women t! o date if he heads north. Heading to a different country is da! unting ( and can be expensive), so John finds someone willing to share the expenses of driving from California to Canada. Chloe (played by Anna Paquin, The Piano) is a lovely and somewhat mysterious young woman who challenges John's opinions and makes him think about why he believes what he believes. They bicker in the way that people do when they are attracted to each other. Chloe also has a few secrets of her own, some of which she hides behind ambivalence and a tiny bit of fear. Paquin, who also served as one of the film's executive producers, is particularly convincing in her role: Smart, sweet and cynical, she complements Meyer's endearing acting style. The filmmakers make no apologies for their political leanings; though this romantic comedy would like viewers to think about what is happening in U.S. politics, it doesn't bludgeon the point too often. Where the film falters occasionally is in the hefty dialogue between Chloe and John. Do people really talk like that? And ! if they do, shouldn't they stop for their own sake? --Jae-Ha KimThe doorbell rings, the cry goes out: Trick 'R Treat! But, wait. What's actually going on during this ghostly All Hallows Eve? Something eerie and unexpected. Something splattered and spooky. Something that brings ghouls, vampires and werewolves into the night. Answer the door â€" a shocking surprise awaits. From producer Bryan Singer (director of X-Men and Superman Returns) and writer-director Michael Dougherty (co-scripter of X2 and Superman Returns) comes a multitale bag of wicked yarns, four cleverly interlocked stories built on Shocktober admonitions like always check the candy and don’t extinguish the jack-o-lantern before midnight. So answer the door now: Experience horror made for today's fright fan.Trick 'r Treat, directed by Michael Dougherty of Superman Returns fame, has a comic book feel but does a nice job of conveying the real things that can spook kids, making for a good Ha! lloween thriller. Composed of four intertwined stories that un! fold sim ultaneously, starting on the same block in Ohio, Trick 'r Treat initially bears some resemblance to John Carpenter's Halloween, in that it focuses on terrors experienced by teens and young, costumed children. As the short tales become increasingly violent and complex, one begins to see that many culprits are responsible, and that a general haunting of all neighborhood jack-o'-lanterns is the root cause of some gory crimes. For example, in one segment, Emma (Leslie Bibb), against the wishes of her husband, Henry (Tahmoh Penikett), blows out a candle in her jack-o'-lantern and pays dearly as her night unfolds. Meanwhile, Laurie (Anna Paquin of True Blood), a young woman dressed as Little Red Riding Hood, goes to the woods to party with her sister and two girlfriends, attracting a stalker whose smile alone is creepy enough to startle a slumber party crowd. The two stories starring younger kids carry the film, however. In one, elementary-schooler Charlie (Br! ett Kelly) meets with the demented school principal, Steven (Dylan Baker), who assesses Charlie's love of stealing candy and thrashing pumpkins. At the same time, a witchy nerd named Rhonda (Samm Todd) is invited to join a young gang at an abandoned rock quarry and faces the mean gang leader, Macy (Britt McKillip), after a prank goes awry. "Earlier" or "Later" periodically flash onscreen in comic-book typeface, successfully directing the viewer through time and also relieving some tension that would've built through a single sustained story. In this, light comedy and some downright silliness shine through. All the kids are in great costumes, and the film, overall, has a festive goth look. By the end, one trusts that Trick 'r Treat is really targeting the younger age group that it highlights, yet it contains enough spook to make adults jumpy as well. --Trinie Dalton

Zion Rootswear Men's Willie Nelson Shotgun T-Shirt,Black,Small

Private Obsession (Watch Me) [Region 2]

Disbelief Hell Movie Poster (11 x 17 Inches - 28cm x 44cm) (2009) Korean Style A -(Shim Eun-kyung)(Young-nam Jang)(Bo-yeon Kim)(Chang-jik Lee)(Hie-kyung Moon)(Sang-mi Nam)

Thursday, September 29, 2011

Sky High (Widescreen Edition)

  • A super adventure of heroic proportions, this crowd-pleasing hit from Walt Disney Pictures stars Hollywood favorites Kurt Russell and Kelly Preston! The son of legendary heroes Commander (Russell) and Jetstream (Preston), young Will Stronghold carries huge expectations as he enters a high-tech high school known for molding the heroes of tomorrow. With no apparent superpowers of his own, however, W
A super adventure of heroic proportions, this crowd-pleasing hit from Walt Disney Pictures stars Hollywood favorites Kurt Russell and Kelly Preston! The son of legendary heroes Commander (Russell) and Jetstream (Preston), young Will Stronghold carries huge expectations as he enters a high-tech high school known for molding the heroes of tomorrow. With no apparent superpowers of his own, however, Will seems destined to grow up a mere sidekick. But as he discovers his true strengths, he'll also learn ! that it takes loyalty and teamwork to truly become a hero!The idea of a high school for superheroes will appeal to teens and preteens, who struggle powerlessly with petty authoritarians, bullying peers, and their own rampant hormones, and Sky High spotlights young Will Stronghold (Michael Angarano, Lords of Dogtown), the son of top-of-the-heap superheroic couple the Commander (Kurt Russell, Tango & Cash) and Josie Jetstream (Kelly Preston, View from the Top). Unfortunately, though he's about to be dropped into the midst of kids who can stretch, turn to living stone, or shoot fire, Will has yet to develop any powers at all--and may never develop them. His development anxieties (and some entertaining metaphors for high school social hierarchies) contrast with a bubbling plot by an old foe of the Commander's to destroy Sky High and all of superhero-dom. Sky High has a great supporting cast (including Bruce Campbell, Army of Darkness; D! ave Foley, NewsRadio; Lynda Carter, Wonder Woman! ; and Cl oris Leachman, Young Frankenstein) and a handful of funny, offhand bits, but the bulk of the movie is bland and obvious. Younger kids may not mind the clumsy action scenes, generic dialogue, and tacky production design, but even comic-book-loving teenagers will label Sky High bargain-basement. --Bret Fetzer

Wednesday, September 28, 2011

SOPHIE ANDERTON 20X24 COLOR PHOTO

Jaaneman

  • Original Shemaroo Entertainment DVD.
Hema Malini, the quintessential Dream Girl of Hindi cinema has truly nurtured a dream, and followed it to its realization. After being unceremoniously dropped from her first Tamil film as the director felt that she didn t have star quality , Hema signed the Hindi film she was offered opposite Raj Kapoor. Just eighteen, she soon conquered the hearts of all moviegoers with her beauty, grace and charisma. From Johnny Mera Naam to Sholay, from Meera to Baghbaan, she has portrayed a diverse range of characters that will always remain a part of the film legend. Raj Kapoor, Dev Anand, Sanjeev Kumar ... she worked with all the leading stars, but it was with Dharmendra that the chemistry on screen was palpable. The special bond she shared with Dharmendra set the rumour mills buzzing but defying all conventions, Hema married her Jat hero in May 1980. Striking a! perfect balance between her personal and professional life, Hema maintains a dignity about the little world she shares with daughters Esha and Ahana. This intimate portrayal, the first authorized biography, by Bhawana Somaaya is a result of her long years of association with Hema as a film journalist and critic. Hema speaks to her more candidly than ever before about her life, with and without Dharmendra, her children, her mother and her twin passions of dance and acting.Starring: AJIT, DHARMENDRA, HEMA MALINI, PARVEEN BABI, PRADEEP KUMAR, RADHA SALUJA, SARIKA,SOHRAB MODI, TAJDAR AMROHI, VIJAYENDRA

Synopsis: Razia Sultan, a celluloid marvel depicts the pulsating tale of stormy love, unflinching loyalty and sacrifice unfolded from the leaves of History. It is the story of the tempestuous love between a bewitching beauty, Razia, the Queen Empress of India and a lowly Abyssinian slave Yaqub. Razia staked and lost everything - her honor, kingdom and life - for her ! love but did not allow the powerful proud Turks, affronted by ! her love for a slave, to trample and break her sacrament of love for a slave. She laid down her life to keep the flame of her love ablaze and high and became immortalized in the hearts of her subjects as a symbol of the highest, the noblest and the most sacred in love.With the passage of time, however, she was branded as a vain sinful lover and it was not until the 20 the century that a creative and sensitive artist Kamal Amrohi got her to the silver screen with all her glory and honor and restored her rightful place in History in the form of his most loving creation - RAZIA SULTAN - an unforgettable and memorable marvel and extravaganza.

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

Original Shemaroo Entertainment DVD.

Tuesday, September 27, 2011

Guzaarish (English Subtitles)

  • Original UTV Motion Pictures DVD
The verdant green landscape, the magnetic blue waters and the warm bright sunshine of beautiful Goa is home to one of the greatest magicians of his time, Ethan Mascarenhas (Hrithik Roshan). Presently hosting a Radio Show that spreads magic and hope and laughter through his irrepressible wit and humor to every listener and caller, it is difficult to imagine that this is a man who has been immobilized with a spinal injury for the last fourteen years of his life. Ethan is aided through every moment of his present life by the epicenter of his world - his Nurse, Sofia D'Souza (Aishwarya Rai). Theirs is a love beautiful in its implicit silence, unwavering in its quiet strength and spirited in their constant verbal sparring. On the fourteenth anniversary of his accident, Ethan decides to seek control over his own life. He makes a petition to the Court that ! shocks the world and leaves Sofia in an impasse that challenges their relationship and their love. Alongside all the tumult that follows, a young man named Omar Siddiqui (Aditya Roy Kapoor) bursts into Ethan's world with a single-minded desire to learn magic from the very best. While on one hand Ethan passes on his magical legacy, on the other, he fights tooth-and-nail to demand the most basic right that every human being is entitled to - the right to his own life. The ethics, the morality, the kindness and cruelty of this mission creates a storm in all the lives that it envelops and its resolution forms the startling conclusion of Ethan's remarkable journey.