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Annabella Sciorra plays a Manhattan shrink with a couple of particularly troubling patients. The most haunting is a woman (Deborah Unger) with unusually kinky sexual tastes; Sciorra gets gooned out when she realizes that her new boyfriend (Jamey Sheridan) is the same guy her patient has been seeing. And when the patient winds up dead, Sciorra begins looking slantwise at her boyfriend. Unfortunately, despite some spooky mood setting, this psychological thriller goes in circles and ends up nowhere, thanks to the implausible stretches of writer-director Christopher Crowe's script. Sciorra seems hollow at the film's center, though Sheridan brings a certain scary charisma to his boyf! riend role and Alan Alda is solid as her psychiatric mentor.
--Marshall FineAnnabella Sciorra plays a Manhattan shrink with a couple of particularly troubling patients. The most haunting is a woman (Deborah Unger) with unusually kinky sexual tastes; Sciorra gets gooned out when she realizes that her new boyfriend (Jamey Sheridan) is the same guy her patient has been seeing. And when the patient winds up dead, Sciorra begins looking slantwise at her boyfriend. Unfortunately, despite some spooky mood setting, this psychological thriller goes in circles and ends up nowhere, thanks to the implausible stretches of writer-director Christopher Crowe's script. Sciorra seems hollow at the film's center, though Sheridan brings a certain scary charisma to his boyfriend role and Alan Alda is solid as her psychiatric mentor. "--Marshall Fine"Annabella Sciorra plays a Manhattan shrink with a couple of particularly troubling patients. The most haunting is a woman (Deborah Unger) wi! th unusually kinky sexual tastes; Sciorra gets gooned out when! she rea lizes that her new boyfriend (Jamey Sheridan) is the same guy her patient has been seeing. And when the patient winds up dead, Sciorra begins looking slantwise at her boyfriend. Unfortunately, despite some spooky mood setting, this psychological thriller goes in circles and ends up nowhere, thanks to the implausible stretches of writer-director Christopher Crowe's script. Sciorra seems hollow at the film's center, though Sheridan brings a certain scary charisma to his boyfriend role and Alan Alda is solid as her psychiatric mentor.
--Marshall FineRomantic comedy centering around a New York con edison worker who gets an unexpected second chance at first love.A Moonstruck by, for and about real people, [this] raucously funny film (The New York Times) stars Annabella Sciorra ('the Sopranos ) and Ron Eldard (Black Hawk Down) as a young, hot-tempered couple whose disagreements over their upcoming wedding could very well land them in divorce court! A delightful spoof (T! he Hollywood Reporter) on the don'ts of saying I do, True Love is both funny and fascinating (Los Angeles Times)! Donna (Sciorra) and Michael (Eldard) are newlyweds-to-beor not to bewhen their big decision to marry is undermined by all the small decisions about the wedding! From the color of his tuxedo to the color of her mashedpotatoes, this once-romantic twosome has lost the love that brought them to the brink of matrimony and found that their differences could take them to the brink of insanity!This amusing but uncomfortable story about preparations and rituals for a Bronx wedding, from the engagement party to the big day itself, is a patchwork quilt of comedy and drama from director Nancy Savoca (
Dogfight). At the heart of the story is the suspicion that perhaps the two people getting hitched aren't right for each other, but the engine of a family wedding has raced ahead of other considerations. Ron Eldard is very good as the boy-man groom-to-be, and Annabel! la Sciorra is also strong as his more mature fiancée. The scr! ipt is b y Savoca and her own husband, Richard Guay.
--Tom Keogh
The bestselling author of Stones from the River delivers her most ambitious and dramatic novel yet -- the unforgettable story of an endearing, but also flawed, Italian American family.
In December 1953 Anthony Amedeo's world is nested in his Bronx neighborhood, his parents' Studebaker, the Paradise Theater, Yankee Stadium -- and in his imagination, where he longs for a stencil kit to decorate the windows like all the other kids on his street. Instead he gets a very different present: his uncle Malcolm's family.
Malcolm is in jail for stealing -- once again -- from his last new job, and Anthony's aunt and twin cousins settle into the Amedeos' fifth-floor walk-up. Sharing a room with girls is excruciating for Anthony, despite his affinity for the twins. But the real change in Anthony's life comes one evening when he causes the unthinkable to happen, changing each family member's life f! orever.
Evoking all the plenty and optimism of postwar America, Sacred Time spans three generations, taking us from the Bronx of the 1950s to contemporary Brooklyn. Keenly observing the dark side of family as well as its gracefulness, Hegi has outdone herself with this captivating novel about childhood's tenderness and the landscape of loneliness. Ultimately she reveals how the transforming power of a singular event can reverberate through a family for generations. With gravity and poise, Hegi turns her astute yet forgiving eye on the essential frailty and dignity of the human condition in this elegant and fast-paced novel.This amusing but uncomfortable story about preparations and rituals for a Bronx wedding, from the engagement party to the big day itself, is a patchwork quilt of comedy and drama from director Nancy Savoca (Dogfight). At the heart of the story is the suspicion that perhaps the two people getting hitched aren't right for each other, but t! he engine of a family wedding has raced ahead of other conside! rations. Ron Eldard is very good as the boy-man groom-to-be, and Annabella Sciorra is also strong as his more mature fiancée. The script is by Savoca and her own husband, Richard Guay. --Tom Keogh Underworld Movie Denis Leary Joe Mantegna Annabella Sciorra Original Poster Print - 27x40
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