Thursday, August 11, 2011

Underworld Movie Denis Leary Joe Mantegna Annabella Sciorra Original Poster Print - 27x40

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  • measures 27.00 by 40.00 inches (68.58 by 101.60 cms)
Annabella Sciorra plays a Manhattan shrink with a couple of particularly troubling patients. The most haunting is a woman (Deborah Unger) with unusually kinky sexual tastes; Sciorra gets gooned out when she realizes that her new boyfriend (Jamey Sheridan) is the same guy her patient has been seeing. And when the patient winds up dead, Sciorra begins looking slantwise at her boyfriend. Unfortunately, despite some spooky mood setting, this psychological thriller goes in circles and ends up nowhere, thanks to the implausible stretches of writer-director Christopher Crowe's script. Sciorra seems hollow at the film's center, though Sheridan brings a certain scary charisma to his boyf! riend role and Alan Alda is solid as her psychiatric mentor. --Marshall FineAnnabella Sciorra plays a Manhattan shrink with a couple of particularly troubling patients. The most haunting is a woman (Deborah Unger) with unusually kinky sexual tastes; Sciorra gets gooned out when she realizes that her new boyfriend (Jamey Sheridan) is the same guy her patient has been seeing. And when the patient winds up dead, Sciorra begins looking slantwise at her boyfriend. Unfortunately, despite some spooky mood setting, this psychological thriller goes in circles and ends up nowhere, thanks to the implausible stretches of writer-director Christopher Crowe's script. Sciorra seems hollow at the film's center, though Sheridan brings a certain scary charisma to his boyfriend role and Alan Alda is solid as her psychiatric mentor. "--Marshall Fine"Annabella Sciorra plays a Manhattan shrink with a couple of particularly troubling patients. The most haunting is a woman (Deborah Unger) wi! th unusually kinky sexual tastes; Sciorra gets gooned out when! she rea lizes that her new boyfriend (Jamey Sheridan) is the same guy her patient has been seeing. And when the patient winds up dead, Sciorra begins looking slantwise at her boyfriend. Unfortunately, despite some spooky mood setting, this psychological thriller goes in circles and ends up nowhere, thanks to the implausible stretches of writer-director Christopher Crowe's script. Sciorra seems hollow at the film's center, though Sheridan brings a certain scary charisma to his boyfriend role and Alan Alda is solid as her psychiatric mentor. --Marshall FineRomantic comedy centering around a New York con edison worker who gets an unexpected second chance at first love.A Moonstruck by, for and about real people, [this] raucously funny film (The New York Times) stars Annabella Sciorra ('the Sopranos ) and Ron Eldard (Black Hawk Down) as a young, hot-tempered couple whose disagreements over their upcoming wedding could very well land them in divorce court! A delightful spoof (T! he Hollywood Reporter) on the don'ts of saying I do, True Love is both funny and fascinating (Los Angeles Times)! Donna (Sciorra) and Michael (Eldard) are newlyweds-to-beor not to bewhen their big decision to marry is undermined by all the small decisions about the wedding! From the color of his tuxedo to the color of her mashedpotatoes, this once-romantic twosome has lost the love that brought them to the brink of matrimony and found that their differences could take them to the brink of insanity!This amusing but uncomfortable story about preparations and rituals for a Bronx wedding, from the engagement party to the big day itself, is a patchwork quilt of comedy and drama from director Nancy Savoca (Dogfight). At the heart of the story is the suspicion that perhaps the two people getting hitched aren't right for each other, but the engine of a family wedding has raced ahead of other considerations. Ron Eldard is very good as the boy-man groom-to-be, and Annabel! la Sciorra is also strong as his more mature fiancée. The scr! ipt is b y Savoca and her own husband, Richard Guay. --Tom Keogh


The bestselling author of Stones from the River delivers her most ambitious and dramatic novel yet -- the unforgettable story of an endearing, but also flawed, Italian American family.

In December 1953 Anthony Amedeo's world is nested in his Bronx neighborhood, his parents' Studebaker, the Paradise Theater, Yankee Stadium -- and in his imagination, where he longs for a stencil kit to decorate the windows like all the other kids on his street. Instead he gets a very different present: his uncle Malcolm's family.

Malcolm is in jail for stealing -- once again -- from his last new job, and Anthony's aunt and twin cousins settle into the Amedeos' fifth-floor walk-up. Sharing a room with girls is excruciating for Anthony, despite his affinity for the twins. But the real change in Anthony's life comes one evening when he causes the unthinkable to happen, changing each family member's life f! orever.

Evoking all the plenty and optimism of postwar America, Sacred Time spans three generations, taking us from the Bronx of the 1950s to contemporary Brooklyn. Keenly observing the dark side of family as well as its gracefulness, Hegi has outdone herself with this captivating novel about childhood's tenderness and the landscape of loneliness. Ultimately she reveals how the transforming power of a singular event can reverberate through a family for generations. With gravity and poise, Hegi turns her astute yet forgiving eye on the essential frailty and dignity of the human condition in this elegant and fast-paced novel.This amusing but uncomfortable story about preparations and rituals for a Bronx wedding, from the engagement party to the big day itself, is a patchwork quilt of comedy and drama from director Nancy Savoca (Dogfight). At the heart of the story is the suspicion that perhaps the two people getting hitched aren't right for each other, but t! he engine of a family wedding has raced ahead of other conside! rations. Ron Eldard is very good as the boy-man groom-to-be, and Annabella Sciorra is also strong as his more mature fiancée. The script is by Savoca and her own husband, Richard Guay. --Tom Keogh Underworld Movie Denis Leary Joe Mantegna Annabella Sciorra Original Poster Print - 27x40

The 10th Victim

  • 10TH VICTIM, THE (DVD MOVIE)
Uncut and Uncensored Like You've Never Seen It Before!

When her anthropologist husband disappears in New Guinea, Susan Stevenson (Ursula Andress of DR. NO) convinces her colleague Dr. Edward Foster (Stacy Keach of PRISON BREAK) to lead her into the dark heart of the deadly jungle. But while exploring the forbidden mountain of Ra-Rami, the expedition is attacked and captured by a tribe of primitive natives. Even if they can escape the barbaric tortures of these flesh-eating savages, can Susan survive the depraved lust of their Cannibal God?

Prepare yourself for the definitive edition of this notorious shocker! MOUNTAIN OF THE CANNIBAL GOD has been completely restored from original vault materials and now includes the legendary and never-before-seen footage of deviant sexuality from the private collection of director Sergio Martino (TORSO)! .She has waited 2000 years for her lover to be reborn - the lover dead by her own hand! Luscious Ursula Andress stars in H. Rider Haggard's classic tale of an ageless love goddess, ruler of a magnificent lost mountain realm, who discovers the reincarnation of her beloved in a handsome English adventurer (John Richardson). Promising riches and her seductive self, she lures him through countless perils into the Desert of Lost Souls, the Mountains of the Moon and a pillar of fire that grants eternal life. Famed horror team Peter Cushing and Christopher Lee co-star in this imaginative story of danger and desire.

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

THE ORIGINAL SEXY '60s CULT CLASSIC IS BACK!

It is the 21st Century, and society's lust for violence is satisfied by "The Big Hunt," an international game of legalized murder. But when the sport's two top assassins (Marcello Mastro! ianni and Ursula Andress) are pitted against each o! ther, th ey find that love is the most dangerous game of all. As the world watches, the hunt is on. Who will become THE 10TH VICTIM?

THE 10TH VICTIM is the international cult classic whose wild action and sexy style has influenced a generation of movies, from THE RUNNING MAN to the AUSTIN POWERS series. Remastered from original archival negative materials, this outrageous satire is presented here in its original Italian language with optional English subtitles.

EXTRAS:
Theatrical Trailer
Talent BiosLong before reality shows took over the TV airwaves and violent parodies like Series 7 and Battle Royale hit international screens, Elio Petri made this campy social satire of a future in which the bored, the ambitious, and the just plain violent can sign up for a deadly game of cat and mouse. "The Big Hunt is necessary as a social safety valve," explains one TV personality. "Why control births when we can control deaths?" Marcello Mastroianni, who plays the womaniz! ing Italian media darling with a gift for ingenious assassinations, becomes the target of sexy champion Ursula Andress, a New York Amazon with a wardrobe as deadly as it is chic. She'll pocket $1 million if she can successfully kill Mastroianni, her 10th and last victim, but on the side she concocts a deal to do the deed in concert with a live song-and-dance extravaganza mounted by a tea company.

Directed with tongue firmly in cheek, Petri lampoons the whole media obsession with high-risk contests and games of chance with cool style, absurdly chic fashions, a bouncy score of organ riffs and funky lounge sounds, and a comically blasé performance by Mastroianni. It's like Fellini gone ballistic with a hint of Divorce, Italian Style: a battle of the sexes in a world where spontaneous shootouts are forever erupting in the fringes of the frame. --Sean Axmaker

Wednesday, August 10, 2011

Signed Christensen, Helena 8x10 Photo

Wild at Heart Movie Poster (11 x 17 Inches - 28cm x 44cm) (1990) Style C -(Nicolas Cage)(Laura Dern)(Diane Ladd)(Willem Dafoe)(Isabella Rossellini)(Harry Dean Stanton)

  • Wild at Heart Poster Mini Promo (11 x 17 Inches - 28cm x 44cm) Style C
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RAMBLING ROSE - DVD MovieThis overrated period comic-drama, set in Georgia in the 1930s, featured the first mother-daughter team to be nominated for acting Oscars in the same year. Laura Dern plays a free-wheeling young woman who is taken in as a domestic by an upper-class family, headed by Robert Duvall and Diane Ladd (Dern's real-life mother). Rose, who tends to let her sexual urges get the best of her, scandalizes everyone in three counties (including Duva! ll and Lukas Haas, who plays his son) with her willing spirit. Do those kind of loose morals warrant court-ordered sterilization? Or does this young woman just need a guiding hand? While many fell for this cornpone shtick, directed by Martha Coolidge, it's a hard movie to cozy up to because Rose is such a caricature and the rest of the characters (with the exception of the always exceptional Duvall) are such sticks. --Marshall Fine Fifteen-year-old Connie Wyatt (Laura Dern) may be too young to drive, but she's already driving the boys crazy. Her suspicious mother (Mary Kay Place) wants to keep her safely at home, but free-spirited Connie would rather while away the languid summer days hanging out with her friends and flirting with boys at the local burger stand. But when she flirts with an older, handsome and predatory stranger (Treat Williams), she isn't prepared for the frightening and traumatic consequences.PLAYBOY magazine MARCH 1993 -- this issue contains centerfold kimberly donley from aurora il -- an interview with anne rice-- 20 questions with laura dern -- pictorials on mimi rogers -the men's club vegas -- articles on sexual freedoms - heroes at duc pho masacre - pat robertson politics - mtv --Wild at Heart Poster (11 x 17 Inches - 28cm x 44cm) (1990) Style C reproduction poster print

CAST: Nicolas Cage, Laura Dern, Diane Ladd, Willem Dafoe, Isabella Rossellini, Harry Dean Stanton, Crispin Glover, Grace Zabriskie, J.E. Freeman, Freddie Jones, Sherilyn Fenn, Sheryl Lee, Albert "Poppy" Popwell, Jack Nance, Charlie Spradling; DIRECTED BY: David Lynch; PRODUCER: Steve Golin, Monty Montgomery, Sigurjon Sighvatsson;

Tuesday, August 9, 2011

Four Season by Yoon Suk Ho (Winter Sonata, Autumn in My Heart, Spring Waltz, Summer Scent) with English Sub NTSC Region 3 Korean Version

Carmen - A Hip Hopera

  • A contemporary, urban retelling of theic story, Carmen: A Hip Hopera follows the life of a police sergeant whose world is turned upside down when an irresistible woman enters his life. Through song, the star-studded cast tells the tale of their passionate romance and tragic demise. It's Moulin Rouge done hip-hop style!Running Time: 88 min. Format: DVD MOVIE Genre: MUSICALS Rating: 
OBSESSED - DVD MovieObsessed is one of those movies best described as “a stylish thriller”: the characters are mostly young and gorgeous, with their white-collar gigs, designer duds, and fancy cars, and if there’s not much of substance to be found beneath those sleek, polished surfaces, well, who says a story must have a message to be entertaining? The comparisons to Fatal Attraction (with its jilted would-be lover going all psycho on the object of her, uh, affections) and Disclosure (with its reverse sexual harassment) are apt enough, but Obsessed is a little different. For starters, unlike the character played by Michael Douglas in Attraction, this film’s Derek Charles (Idris Elba) does little to encourage Lisa Sheridan (Ali Larter), the temp worker at his asset-management firm who gloms onto him like a lamprey sucking on its unwilling host; for another, Derek’s wife, Sharon (Beyonce Knowles), is no wallflower who stands idly and ignorantly by while her life is shredded by her hubby’s evasions and the increasingly crazed tactics of the woman who’s stalking him (it’s to the credit of director Steve Shill and screenwriter David Loughery that nothing whatsoever is made of the fact that Derek is black and Lisa is white). Still, the holes in the plot are big enough to drive several Mercedes sedans through. For one thing, Lisa’s fixation on Derek seems to come out of nowhere (if she has a past, we’re not told about it); w! hat's more, even if Derek has broken his deal with Sharon not ! to have any female assistants (she was once one herself), it seems mighty extreme for her to kick him out of the house for three months simply for not coming completely clean about his mostly-innocent dealings with Lisa. Still, the film manages to make the viewer feel Derek’s helpless desperation at being targeted by this manipulative nut job, and when Sharon finally confronts her family’s tormentor at the end (“You think you’re crazy? I’ll show you crazy!”), the result is silly but somehow satisfying. --Sam GrahamA contemporary, urban retelling of the classic story, Carmen: A Hip Hopera follows the life of a police sergeant whose world is turned upside down when an irresistible woman enters his life. Through song, the star-studded cast tells the tale of their passionate romance and tragic demise. It's Moulin Rouge done hip-hop style! Recasting Bizet's classic opera as a musical tale in the 'hood, Carmen: A Hip Hopera proves that the plot's not t! he thing. By retaining the story but jettisoning Bizet's individual musical numbers that propel the tragedy to its inevitable conclusion, this Carmen founders on familiarity: it's just another soap opera about two lovers whose tryst proves fatal. Occasionally, the music quotes Bizet's famous themes, but most of the rapping and singing sound interchangeable. What makes this Carmen worth seeing, however, is the scintillating performance of Beyoncé Knowles (of the trio Destiny's Child) in the lead role. From her first entrance in a dazzling red gown, Knowles shows off a vibrant, magnetic personality; the camera loves her, as her group's many music videos have shown, but they only hint at how impressively she holds the screen. Can she act? The jury's still out, but Carmen: A Hip Hopera--however disappointing this hybrid is in most ways--showcases a compelling movie-star presence. --Kevin FilipskiA contemporary, urban retelling of the classic story! , Carmen: A Hip Hopera follows the life of a police sergeant w! hose wor ld is turned upside down when an irresistible woman enters his life. Through song, the star-studded cast tells the tale of their passionate romance and tragic demise. It's Moulin Rouge done hip-hop style!

DVD Features:
Featurette
Interactive Menus
Other

Recasting Bizet's classic opera as a musical tale in the 'hood, Carmen: A Hip Hopera proves that the plot's not the thing. By retaining the story but jettisoning Bizet's individual musical numbers that propel the tragedy to its inevitable conclusion, this Carmen founders on familiarity: it's just another soap opera about two lovers whose tryst proves fatal. Occasionally, the music quotes Bizet's famous themes, but most of the rapping and singing sound interchangeable. What makes this Carmen worth seeing, however, is the scintillating performance of Beyoncé Knowles (of the trio Destiny's Child) in the lead role. From her first entrance in a dazzling red gown,! Knowles shows off a vibrant, magnetic personality; the camera loves her, as her group's many music videos have shown, but they only hint at how impressively she holds the screen. Can she act? The jury's still out, but Carmen: A Hip Hopera--however disappointing this hybrid is in most ways--showcases a compelling movie-star presence. --Kevin Filipski

Monday, August 8, 2011

Three... Extremes Movie Poster (11 x 17 Inches - 28cm x 44cm) (2005) Style A -(Byung-hun Lee)(Hye-jeong Kang)(Jung-ah Yum)(Mitsuru Akaboshi)(Ling Bai)(Lee Jun Goo)

Sunday, August 7, 2011

The Warrior's Way Poster - KB 11x17 - Dong-Gun Jang Kate Bosworth

  • Promo flyer for the Movie "The Warrior's Way" featuring Kate Bosworth
  • The Warrior's Way promo Flyer
  • Size 11 x 17 inches approx (28 x 43 cm)
  • Window display/ Telephone Pole Flyer sized Poster
A WARRIOR-ASSASSIN IS FORCED TO HIDE IN A SMALL TOWN IN THE AMERICAN BADLANDS AFTER REFUSING A MISSION."This is the story of a sad flute, a laughing baby, and a weeping sword," a voice intones at the beginning of The Warrior's Way. It's also a story in which bullets fly, blood flows, and the body count mounts to the point where you'll need a calculator to keep track, often to the accompaniment of a Verdi opera. Writer-director Sngmoo Lee's film centers on a lone warrior named Yang (Jang Dong-gun), "the greatest swordsman in the history of mankind," who has managed to wipe out all of his enemies save one, that being an adorable infant whom he refuses to murder, much to the dis! pleasure of his boss, the leader of a band known as the Sad Flutes. For reasons never quite explained, our exiled hero soon finds himself in a thoroughly dilapidated town in the American west, where a half-finished ferris wheel looms and the inhabitants consist mainly of a bunch of worn-out circus performers (clowns, bearded lady, midget ringmaster, the whole shebang), the town drunk (Geoffrey Rush, a very long way from his Oscar-winning performance in Shine), and a beautiful young woman (Kate Bosworth, sporting a ridiculous accent) whose family was slaughtered by a local bad guy known as the Colonel (Danny Huston, suitably sadistic). Yang improbably takes over the town's laundry service, plants a garden, and cares for the baby, but we know it won't be long before his real talents will be needed--and sure enough, when the Colonel and his band of filthy wretches ride back into town, followed not long thereafter by a platoon of acrobatic ninjas sent to dispatch our her! o, Yang and the locals have their hands full. All of this is f! airly ri diculous, but the movie has a surreal, painterly look (imagine a cross between Dali, Fellini, and a graphic novel) that's never less than engaging. Jang is no Olivier, to say the least, but he's handsome and charismatic, and although the ending holds few surprises (especially once he instructs the Bosworth character in "the warrior's way"), genre fans are likely to be enchanted. --Sam GrahamWo young women work as maids in a maui resort community.With othing else to do with their time the girls decide to surf. Hey become very good and enter an all-male contest. Studio: Uni Dist Corp. (mca) Release Date: 03/28/2006 Starring: Kate Bosworth Matthew Davis Run time: 105 minutes Rating: Pg13 Director: John StockwellNot to be confused with the 2002 feature film of the same title, Blue Crush is billed as the original all-girl surfer's movie, and it's guaranteed to please devotees of the sport. It's a mixed blessing, however, because it assumes familiarity with the! sport and its superstars, dispensing with any educational or historical detail that would appeal to neophytes. After all, how can this film be dedicated to Rell Sunn (the pioneer of female competitive surfing, who died in of breast cancer in 1998 at age 47) and fail to explore her illustrious career? This haphazard approach extends to profiles of the young women who regard Sunn as their hero; we learn little of their backgrounds and how they rose to prominence on the waves. Blue Crush works best as a globetrotting, music-video tour of surfdom's prime locations (Samoa, Hawaii, the Gold Coast, South Africa) hosted by the sport's most prominent competitors, including several (Rochelle Ballard, Megan Abubo, Sanoe Lake, Keala Kennelly, Kate Skarratt) who appeared in Universal's popular feature. It's a lot of fun, especially if you "hang ten" on a regular basis. --Jeff ShannonPromo flyer for the Movie "The Warrior's Way" featuring Kate Bosworth